And Finally…

If I did this right, this should post all by itself on the morning of the Granary Gallery Show opening. And if all else goes well, Pat and I will be waking up to a beautiful day on the Vineyard as you read this.

As I am writing this tonight it is almost midnight and we are still a week away from leaving home, the studio is full of carefully wrapped paintings, the trailer has yet to be cleaned out, and there is much packing yet to do…so you can imagine that this new technology is playing little tricks on my weary psyche.

It has been a long and rewarding journey to make my creative way through this series, Reclamation. And without further ado, I give you it’s finale…

Severe Clear – 40″ x 70″

Severe Clear

My guide at the beginning of this journey was Denys Wortman, a MV Museum Board member whose Vineyard roots are deeply woven into the fabric of the island, Denny was a fountain of information.

I returned to the building many times during that visit last autumn and tried to experience how the light and shadows changed over the course of a day.   One morning Denny met me and brought along the museum flag.  When I stepped outside to walk across the wide expanse of front lawn to help him raise it I commented on how there wasn’t a cloud in the crisp October sky.  “Pilots call that Severe Clear”,  he replied.

Back in my Pennsylvania studio when I was looking through the sketches and notes I had taken I found that I had written down that phrase and, for almost every morning of the dozens of days it took me to paint this view from the balcony, the spring sky here was brilliantly cloudless…so the title fits.

I became intimately familiar with every one of these buildings, and boats and trees over the many weeks of working on this painting. But it was the tiniest of details that the muses insisted on which kept a sparkle in my bleary eyes. The pinpoint of green in the traffic lights at the drawbridge, the rigging on the tall ships, the picnic table where Pat and I eat Chef Hesi’s sushi,  the ducks in the rippling current, the flecks of red paint on the oar…and the best of all…the little dog on the back of the boat.

You will need a magnifying glass to see him…I sure did.

So now my tale is told. The Martha’s Vineyard Museum has already begun the renovation work to revitalize this old Marine Hospital, and bring about it’s next incarnation as the future home of the MV Museum. I hope this series of paintings will offer another layer of historical perspective on the long life of this building to those new generations to come who visit the museum.

Now you all go out and have some good old summer fun… and we will raise a toast to you tonight…thanks for listening,

Heather

Escape

Escape – 18″ x 24″

Escape

I am in love with these fire escapes.
They were originally painted red and green…
or maybe that’s wrong,
maybe the red is from the rusting over the years.
Either way they sport those colors now
and, when the morning light rakes across the lagoon,
they just sing against the whitewashed clapboard outside.
This was my first attempt at painting the buildings
and boats in the harbor and I got very familiar
with my magnifying glass.
It was a challenge to decide how much distortion
to render from the old rippling window glass.
I left just a little in because I wanted to see
the lines on the rigging and the deck on the ferry.
This is also the only view of the harbor
where I left the telephone poles in.
Artistic license is my super power.