As is true of so many of my paintings,
the muses pulled on some pretty wild threads
to bring this not-so-still-life together.
I’ll say it started with Jane,
because of the teacups,
hidden among the many other artifacts
which she and her sword fishing husband, Herb purveyed
in their antique shop in Menemsha.
This is Jane’s 40th year,
in that treasure shack, Oversouth Willow,
and the last season of her tenure behind the desk.
And that is where we found her, last summer,
the film crew and I,
when we were parading our cameras, and mikes,
around the island, and we stopped to visit with Jane.
The team of David and Barbarella Fokos,
renowned artists/writers/film makers/Emmy winners,
were setting out to make a documentary film
to add to their growing collection for the new website,
TAO – The Artist Odyssey.
The results of which are almost complete,
and Herself and I are picking out our gowns for the premeire !
(Check my blog for details)
While the crew set up and Pat and Jane chatted,
I searched around and found these three porcelain gems.
Jane told us the story of the “Blue Willow” pattern,
which I believe was captured on film,
but what I remember most clearly
was the sparkle in her eyes…and she in her element.
Fast forward a month or two and we are getting ready,
here in my Pennsylvania studio,
for the Fokos Team to arrive for another session of filming.
I needed to have a painting in progress so I brought out those blue vessels.
And then the muses stepped up.
They rifled through the linen prop drawer for something blue,
and the feather that Saren had brought me the day before
drifted down from the teacup shelf,
they fingered around in my back pocket
for the tiny shard of blue tile that I had found
in the pebbled lane the last time I walked up to Camp Sunrise,
and they sent me climbing up to the “old studio”,
the shed on stilts by the creek,
which is now the overflow prop room…
and I opened the door…
the blue door.
Bam, I’m in.
I had climbed those rickety stairs,
and opened that door every day for I don’t know how many years,
and inside was…my bliss.
My first real studio,
after 40 years of dreaming.
I remember when that paint was new.
Around here they were not sure how to mix Nantucket Blue.
There are a couple of paintings which feature the other side of this old door,
but if you stepped back far enough to get some perspective on the outside of it…
you would be swimming in the creek thirty feet below.
Opened to the inside,
with my hand on that wonderful doorknob,
and the light raking over the blue chips of paint…
well, that was interesting.
It was quick work to find something to use as a support,
and the red cover of the old faithful, “Iron Woman” book
was the perfect accent…think Jane.
When the Fokos’ arrived,
the painting was well underway,
but David wanted to recreate and film the set up part of the process.
You should have seen us cramming into the tiny space by that door
with cameras and crew…remember what I said about that one step backwards.
No one was harmed in the filming of this movie,
and now this painting has a great story to tell.
And I’ve got to go dye my eyes to match my gown.