I’ve spent this stormy day working on the Painter’s Notes for the new paintings.
If you are of a mind to spend some time away from the news of the ongoing apocalypse,
and would welcome some detours down the pathways of this artist’s musings,
follow this sign…
On my website…https://heatherneill.com/
Under the menu tab…Portfolio
You will find, sorted by year,
all the paintings I’ve ever done.
As I have been loading the new works onto the website,
Small thumbnails appear when you open the window for 2017…
When you click on a thumbnail there,
you open up the larger format image for each painting.
There you will find info like size, and which gallery it is currently exhibiting the work.
Down there, at the bottom of each of those pages, is that quill and teacup logo at the bottom left.
When you click on that…POOF !
It takes you to the Painter’s Notes.
I started writing them when I had my first solo show back in 2001.
I had been a chairmaker for a decade or more,
so I could make money,
so I could paint.
That was a whole lot of work,
and scads more fun,
but a creative reality check.
Turns out, 16 years later,
it was a better bet to try this painting gig out,
so I could carve spoons in my free time.
At that first show I wrote some journal like notes with each painting to help my chairmaking patrons understand that I was putting the handtools down and picking up brushes.
These notes have become an integral part of the painting process for the patrons who took that leap with me, and I offer them for anyone who might be curious about where my mind was wandering when I was at the easel.
We’ve got some new people checking in, hi there,
so I thought a review was in order.
For you well-seasoned followers…
this is just to send a nod and a wink,
and all the thanks in the world.
I’ve written the PNotes for all the new paintings I’ve launched so far.
Tomorrow I begin to document the last six of the new works.
They are the beginning of a substantial body of work that has taken me full circle,
back to the core of my artistic soul,
from the very first brush strokes,
and all the halting stages of creative adventures in between,
to the cascading circles of how I’ve gotten to here…
to the painter, who walks into the studio each day,
wondering what does it mean to be a mature artist.
Who picks up the brushes,
with aging hands,
and trusts that the muses have her back.