Panel Making Time

‘Tis that time again.

The studio stack of ready to roll panels is dwindling…

( Drawing credits to Daniel (top) and Rose (underneath) Follansbee )

And so it’s time to get out the magic 8 ball, no I don’t have one of those even as a prop, and try and guess what sizes of panels I might need for paintings that I haven’t even thought of doing yet.

I have a few big panels already made up, but I’m giving myself a wee break from working on those huge compositions…they take a physical toll as well as a mental one, and this old artiste needs some time to rebuild both body and soul before tackling the next one…or two.

So, I made a plan to carve out some small and medium sizes.

Kory helped me clear out the garage last week, what a mess, and this week he stepped into the roll of apprentice to give me a hand with stage one…cutting the panels out of 4′ x 8′ sheets of Dibond. We uncovered 5 full sheets and I decided to save one for that odd size which I don’t yet know I need.

I’ve written about the panel making process, and the use of Dibond, in three earlier blog posts, one all the way back to 2010. You can read them, if you’re interested, by entering Dibond in the search box…see it there at the top right of the website page ?

We managed to get most of them cut…before noticing that some of the lines and edges were skewing. This happens no matter how carefully I measure and clamp and hold the jigsaw. My professional picture framing experience has made me a master of the art of measurement, alas, even with cutting guides, stronger clamps and an even stronger set of assisting arms, my set up isn’t ideal for perfection.

And, at this stage especially, perfectly squared corners is a must. Further down the road, once these panels hit the easel, and I start figuring out perspective, on something like this composition for example…

I’ve got to trust that at least one corner is true so that when I use a T-square to draw the sketch on the panel,  I can get all these horizontals and verticals to line up with each other in a convincing enough way that you, the viewer, forget about them. I want you to trust that these beams are as solid and sturdy as the original joiners intended, so that you can feel safe enough to walk around in that workshop and study what I really wanted you to experience…the light on those beautiful fibers.

So, if you are aiming for perfection, and you find some fatal flaws in the production, it is best to stop and fix them then and there. I am personally blaming, in no small part, the nine thousand percent humidity that drained our batteries pretty quickly in that stuffy garage. Years ago I stole the line from the yayasisters movie…”I’m puddlin’ here”…this was more like a tsunami.

After re-squaring up a stack, I realized tomorrow’s another day Scarlet, and availed myself of the air conditioning here in the studio office to set about cooling down and restocking my supply of canvas, which is needed for stage 2.

Years ago I did an exhaustive search for the best canvas on the market. Every artist has an individual preference for a painting surface and mine was the smoothest possible. I wanted the durability and flexibility of a richly gessoed canvas without the bounce and weave. The Dibond gave me the best man made substructure, and I settled on Joe Allen’s Portrait grade 10oz Army Duck (see roll in photo above) to wrap around it.

Unprimed, and smooth as silk, this canvas is sturdy and pliable, it wraps beautifully with just enough bulk to avoid fear of tearing, and it comes in manageable 60″ rolls. I order a couple rolls at a time to save on freight and when I did the calculations and I figured that I would be dipping into my last roll I knew it was time to reorder. But when I went to place my order on line there was a glitch. So, I called, got a recording and sent an email inquiry.

This morning I got a response explaining the quirky website glitch was just that and one more click would get me sorted. But there was also the sad news that Joe had died just a few weeks ago from a fast moving cancer. His wife Jacqui said that she and their son Justin, who she notes is “now the artist in the family”, will be attempting to keep the Canvas supply business running.

I never met Joe in person, but remember him as most accommodating, and pleasant to do business with and that kept me coming back over the years. He went out of his way to help keep the costs down as these heavy rolls have to be trucked all the way from Texas.

Jacqui has just written back to confirm the order, and in keeping with that tradition of kindness, has offered some alternatives to help save me some money on current shipping costs.

I wish them all the best as they navigate the business and their lives in the coming years.

If you are in the market for a superb quality product, fine salesmanship, need to restock your studio shelves, or want to try out something new…give Allen’s Canvas a shout. They are even having a sale right now.

Meanwhile, back here in the studio, there actually seems to be a patch of blue sky out there. Maybe that will drive away some of the humidity, maybe not. I’m giving the garage a pass today let my lungs clear out and give my flaring knuckles a rest…I’m going to play with the tiny brushes and watch the birds outside at the feeder.

I’ll try and chronicle the next step of the panel making process so you can see how that goes…in the mean time stay frosty out there.

Enter the Muses

This is a good image to go with this morning…

While I sit here in the studio,
awaiting the plumber,
who will help me address the water
which is pouring out of a busted pipe
in the basement below my feet.

These unexpected pauses,
jolting the daily drive train of a creative workflow,
still unnerve me…
there are decidedly a scarce few things
which fill me with more dread
than having to go down to the basement.

But, with Pat’s steady backup,
I have conquered that stage of the drama
and the power has been cut off from the errant water pump
and, as I mentioned, the trusty plumber is on the way.

Which gives me that rare moment…
the unexpected pause
between crisis and resuming of normal play
and I am filling this one
by paying forward a gift.

Last night, after a long day,
a message popped up on my phone
from one among you who are followers
that I have never met, but whose name I recognize
from the occasional gift of a “like” response to a posting here or there.

She wrote that she follows my work
and she had read a poem which,
for some reason, made her think of me…
Pat looked at me from across the sofa and asked why I was crying…
I read the poem outloud,
and we were both in tears.

So this pause is by way of a thank you to K,
for stopping to share the gift of this gracefully moving beauty
and her own kind words,
and to remind myself
to take a deeper breath
and let the muses take the wheel today.

Beneath The Sweater And The Skin
A Poem by Jeannette Encinias

How many years of beauty do I have left?
she asks me.
How many more do you want?
Here. Here is 34. Here is 50.

When you are 80 years old
and your beauty rises in ways
your cells cannot even imagine now
and your wild bones grow luminous and
ripe, having carried the weight
of a passionate life.

When your hair is aflame
with winter
and you have decades of
learning and leaving and loving
sewn into
the corners of your eyes
and your children come home
to find their own history
in your face.

When you know what it feels like to fail
ferociously
and have gained the
capacity
to rise and rise and rise again.

When you can make your tea
on a quiet and ridiculously lonely afternoon
and still have a song in your heart
Queen owl wings beating
beneath the cotton of your sweater.

Because your beauty began there
beneath the sweater and the skin,
remember?

This is when I will take you
into my arms and coo
YOU BRAVE AND GLORIOUS THING
you’ve come so far..

I see you.
Your beauty is breathtaking.

Derby Season…about to begin

The lines will soon be casting like crazy up there on the Island of Martha’s Vineyard…for Bluefish…as the annual Martha’s Vineyard Striped Bass and Bluefish Derby opens in a few short days.

The Vineyard Gazette had a photo, which I can no longer find, of someone hanging the sign on the Derby Headquarters along the Edgartown Harbor. That photo, which I still can not find even on line, reminded me of the day I spent this winter painting a teeny tiny replica of that very sign.

I was able to find a replacement photo for you, courtesy of the MV Times files, which was attributed as…Derby weigh master Roy Langley rings in the Derby in 2015. — MV Times file photo..sorry I can’t credit the photographer.

I also found a reference to Mr. Langley in the 2017 Derby Souvenir Booklet which is available to read on line…click here. There is a nice tribute to him, written by Ed Jerome, on page 96 as Roy was retiring his morning weigh in duties, which mentions that, “at the age of 89, he (Roy) will no longer place contestant’s fish on the scale to be weighed. However, he will continue to gather morning baked goods for volunteers and coordinate the disbursement of the fish to the Senior Citizen Filet Program.”

Everything I love about the Vineyard is in that sentence.
So, back to that painting…
You remember this one ?
Here’s a pic of me working on that derby sign…
Let’s zoom in a bit…
Keep your eyes on the left hand side …
Closer…
Closer…
It’s a bit tricky to read, which is why I hunted for that stock photo, but here’s the closest I can get you…without standing in front of the painting with a magnifying glass…
My sign is about a quarter inch wide.
The door is closed between morning and evening weigh-ins, but the rods were reeling away at the public wharf…a little further over to the right…
This painting, Anchored in Autumn has found a new home this week. Reports are that it may even be able to catch its own glimpse of the harbor from the new resting place.
We are making plans to return to the island soon, and I’m looking forward to finding a spot on the bench alongside the Derby Headquarters and parking there with my sketchbook to collect some notes as the winning contenders are brought in to be recorded.
Let the season begin…