Tempest in a Teacup – 12 x 13 Available at the Granary Gallery
Shivering here in the studio the winter winds are swirling about and a storm is brewing just over the horizon…
in a teacup ?
There is nothing that makes me happier than a monster snow storm in the forecast. So, as I prepare to batten down the hatches for the Nor’easter predicted to hit us soon.. I’ve created a tiny video for you to get a closer look at this temped tossed teacup…stay safe and SHOVELS UP !!!
All those damned Teaspoons – 18 x 26 Available at the Granary Gallery
I have Pete Seeger to thank for this one…and for his lifetime of advocacy and good trouble.
The aging hippie that I am was raised on ’60’s folk music It runs through my veins and wallows around in my soul While my fingers can still strum it plays out on my guitar
The aging artist that I am is informed by those chords And accompanies those rhythms tapping brushes on teacups
Among the many tributes to Pete upon his passing to that big sing along in the sky were many references to his activism. Lending his powerful musical voice to social, political and environmental justice inspired many a generation.
But this particular parable…inspired my Muses…
Parable of the Teaspoon Brigade
Imagine that there’s a big seesaw. At one end of it is a basket half full of rocks. That end is on the ground.
At the other end is a basket one-quarter full of sand. And a bunch of us with teaspoons, we’re trying to put sand in that end.
A lot of people laugh at us, they say
“Oh, don’t you see, it’s leaking out as fast as you’re putting it in.”
Well, we say, “It’s leaking out, but we’re getting more people with teaspoons all the time. One of these days, you’re gonna see that whole basket with sand so full that this seesaw is going to go zoooom-up in the other direction.”
And people will say, “Gee, how did it happen so quickly?”
Us and our damned little teaspoons.
I don’t remember where I lifted this from but it has been carried over from one sketchbook to another and another for years until…
the Muses decided it was time the silver topped stick was Ted’s the well worn cane came by way of my great grandfather the teaspoons sat in Jane’s shop the teacups from my shelves… the magic the determination the hope and the joy… that’s all Pete… will you grab a teaspoon and join us ?
When I found my way back to the easel chair in early September I asked the Muses for help and boy did they come running. They are calling me back to the easel as I write…so stay tuned and stay safe !
Last of the Season – 12 x 18 Available at Gallery 1261 in Denver
I have a few NEW PAINTINGS to begin posting…the one above has headed out to Gallery 1261 in Denver.
But it reminded me of today since I spent the morning making an addition to the Ruth Stout bed.
It is mostly Matt’s fault because he keeps texting me about how well his “undercover” veg are doing and because he is my go to garden buddy. It’s so nice to throw ideas and new gurus back and forth and he is a witty soul who takes his garden very seriously.
Here are the rapid fire pics of the process begun early this frosty morning…
A chance to finally use all the cardboard I have been saving for the entire year.
Even threw in the Quarantine Box…awe Finn
Then it was time to haul all the leaves I had corralled into a bin on the other side of the yard.
I filled the spaces in with the stash of Vineyard Gazettes…minus the crossword puzzles. It was heart wrenching to track the Covid headlines as the island has joined the nation with the out of control surge heading into the winter. These aren’t in order but they give you an idea…
Herself arrived in time to lend a hand and it took two bales of hay to cover the new 11 x 14 foot annex. The Ruth Stout bed now boast 960 sq feet of gardening space.
So, as I feature the “Last of the Season” it feels good to be laying the foundation for the season yet to come. May we all stay safe and healthy to be here to enjoy it.
Early dark and I’m almost finished here in the studio…
Before I go, on this eve of gratitude, I wanted to thank all our galleries and the hard workers who have managed to keep the doors open during this difficult year allowing we artists to keep working and filling those walls. So…to the folks at Gallery 1261 in Denver, Michael and Christie at Sugarman Peterson Gallery in Santa Fe, and Chris, Shiela and all our dear gallerista friends at The Granary Gallery on Martha’s Vineyard…love and thanks from the bottom of my brushes.
And a special treat…A new video for a very special painting…Arthur’s Light…Available at the Sugarman Peterson Gallery in Santa Fe (website is under construction and at the time of this writing Covid restrictions have closed business – I will update as soon as they are open but inquiries can be made via phone at (505) 820-0010 )
A much needed rainy day here in the studio affords me an equally much needed rest.
The last few days of summer like weather nudged me outside to put the garden to bed and my body is respondingly sore…but my soul…that is very very much alive.
Heavy sweaty work of raking and mulching the mountains of leaves felt as cathartic as counting up all those votes here in the great state of Pennsylvania. I danced some righteously happy jigs while tossing the hay all over the Ruth Stout garden. The crows, bluejays, wrens and one shy bunny all raised their voices in joyous song while I dug up the last of the late season potatoes.
The winds of change have indeed shifted and for me, it happened in a flash. Just like that, ding dong…the weight lifted, the doors flew open wide…and there was spontaneous partying in the streets all across the land. It reminded me of the sublime enthusiasm that Skip had while directing her swan song.
The Muses are vibrating with this newfound energy and I’m listening.
First order of business is to clean up this website. It is almost 20 years old now and since we are on about the business of clearing out cobwebs I’ve signed on to update and upgrade and give it a general overhaul.
We will be working throughout the next couple months with most of the tweaking being done behind the scenes and under the hood…or so Ross tells me. (More on his new company and adventures to come.)
Along with some design changes I will be using this opportunity to reorganize the Print section of my site. The time is upon us to make good on what I had promised to do this time last year…raise the prices on the prints. The material and shipping costs have increased even more so we have settled on $295 as the new charge for the 17 x 22 sized prints.
I’m announcing that now because, like I did last year before the holidays, it will give those who are interested an opportunity to purchase prints at the current $195 until the NEW website goes live early next year. Shipping will continue to be FREE.
A total revamp project like this signals to the Muses that I am ready to rock and roll.
Uncharacteristically…and quite surprisingly…I have absolutely no idea what I will paint next. Which feels just right. Herself told me she’s not the least bit worried about that.
So there you go.
I’ll bring you along for the ride… let’s see where this train takes us !
Here we are…it’s the morning of the Granary Gallery Show Opening
I want to personally thank all of you who have taken the time to read the string of Blog Posts which have lead up to today’s opening. You being with us for this ride and offering kind words of support and encouragement along the way has softened the edges of the rough parts and lightened the air here in the studio.
So…from our studio
To the red barn on Old County Road on the island of Martha’s Vineyard
And into the homes of all you friends and patrons…
It was meant to be a talisman… something I could literally touch to bring me closer to my dream of living on Martha’s Vineyard
And to be a portal… a window that could transport me to that bluff on that island
And then everything in the world changed…
Except that dream.
Signaling Home – 24 x 36
Standing high on the bluff rising over Stonewall Beach on the island of Martha’s Vineyard
where centuries of wind and waves have been chiseling the shoreline back further with each blow after stormy blow
Where generations of Langmuir hands have moved that dotted line of great white rocks signaling safety in the moonlight pulling them back and then further back again
On that grassy sandy ledge that has listened to my heart taken the measure of my Muses rounded off my edges and holds all I know of love
Here on this edge of all that I hold sacred I plant my soul holding tightly to my flags and signaling HOME.
I’ve already introduced you to Jack the Lad and his pal…
Now you get to see the behind the scenes story of our collaboration…
Jack the Lad
This painting came into being by way of a commission. And a most challenging one at that. The gentleman you see seated in the center is a loyal patron of the gallery who wanted to immortalize his pup Jack …who is an even more loyal visitor, indeed many would say, ambassador to the gallery.
I met Jack there, in the gallery for our first meeting, on a bright October morning. He was sitting with rapt attention focused on his pal, or more specifically his pal’s pocket wherein there was a stash of green beans. I knew instantly that anyone who would carry a pocketful of beans as treats for his dog would be a subject worthy of exploring and that any pup who would gaze that lovingly into the eyes of a human for…a bean…be still my vegetable gardeners’ heart.
So, the challenging bit that I mentioned at the start was not the subjects themselves, but rather the fact that there was a very short overlap in our schedules. We had a brief time together in the gallery so the pressure was on…but I needn’t have worried. I fell instantly in love with both of them. It was easy to do as neither of them ever stopped smiling.
Jack, the lad, wandered freely among the paintings and antiques but his spirit was primarily drawn to people. He quickly took the measure of each human who entered the gallery and adjusted his greeting accordingly. The wagging bushy tail, energetic and playful with a group of young children…then softly gently laying down before a woman and her cane…and always, always with one of those soulful brown eyes checking back in with the bean man Himself.
The Granary Gallery is a special place. That big old Red Barn is more like a general store than an art gallery, at least for the regular patrons, and the year round Islanders. Like the bar at Cheers, where everybody knows your name, new friendships are made and old ones deepen each time the bell rings above the opening door.. and the owners and staff make the kind of genuinely gracious human connections which these days is an art all of its own.
Looking back now, despite the brevity of our meeting…or maybe because of it…what lingered throughout the months afterwards, as I worked to find my way into this commission, was the tender upbeat energy that those two souls exuded. This painting became a blended portrait both of them and the gallery itself.
There are lots of details which, like the scavenger hunts the Granary makes for the children to have fun exploring the gallery are just that…fun. But zoom in a bit, just past the red dots under the cormorant statue, and before you count those blue violet bottles on the window shelves…just there beneath the table, at the foot of the tie-dyed man you will see what this painting is really all about.
The heart tugging twinkle in that all adoring look that tells us all we need to know of Jack the Lad…