Meanwhile, in Santa Fe

Because the solstice is upon us, and it’s a full moon, and it’s sizzling summer hot here today…the studio is hopping !

Yet another show to announce, this time at the Sugarman Peterson Gallery out in the high desert of Santa Fe, New Mexico.

The exhibition, An American Trio, will feature works by Katherine Stone, Leo E. Osborne and me. It was written up in the July issue of American Art Collector Magazine ….

cover 2016 72

72 article

The two new works of mine are…

All Politics is Local – 18 x 24

All Politics Is Local

“The muses wanted to weigh in on this election cycle, the prop room decided to step things back a century, and by the time I got around to choosing the right teacup…the eagle was doing a flyby.”

Goodnight Moon – 16 x 20

Goodnight Moon

“Our youngest grand daughter, Zoë, is a firefly, sparkly, bouncy, Tigger sort of a girl. She has the gift of a magical curiousity, and the rare patience to make the most of everything new her 5-year old eyes come across. Our days together are a blast, but I think my favorite part is tucking her freshly brushed and pajama’d self under the covers, giving her an eagle hug, and listening from the room next door as her Gran reads one more book. Goodnight Moon is a favorite for us both. Zoë has her own copy; the book in this painting is the one that sent me to dreamland when I was her age. The mouse is eternal.”

And, after a frantic couple of days when this very website was off the rails…I want to send a shout out of thanks to my tech crew…Ross ! We in the creative department are so glad you’ve got our backs.

She who started it all…

Wolsey…
this is one hysterical muse.
I had a momentary respite, from her staccato background tapping. You’ll read below, that as the last Painter’s Notes were written, the studio fell silent. I took it as a sign. After years of Wolsey’s bombarding, every window through which I can be seen, and both wing mirrors on the truck, I thought maybe she/Ted/my father/whomsoever is driving that bird’s bus…was finally satisfied that I had received whatever message she was laying down.

Yesterday was a major clean up and trailer repair, so I was outside most of the day, but when I was inside…quiet.
Today was a marathon of making the garden secure for the gardener to be away for a while. And now, I’m cooling down and crossing off the last things on the list. The second I sat here at the computer to log in the last of the new paintings…tap. TAP TAP TAP.

She’s back. Ya know, I was sort of afraid that the wandering cat, or a predator bird might have eaten her. So, I have to confess, after all this time and in spite of all the myriad levels of annoyance…I guess I sorta missed her.

Well, we are at the end now. These last three paintings complete the 2015 Granary Gallery Show. I hope to see some of you at the opening this coming Sunday, and, for those of you who won’t be able to make it, I thank you for all your support and kind words of appreciation.
And now…
I give you…Cardinal Wolsey…

Wolsey  –  10 x 12

Wolsey

The following is an excerpt from November 2014. The bird had been pecking, steadily, at that point, for over a year. It is now June…2015…and if I could figure out how to put an audio recording on this site…you could hear her now.

Blog post – 26 November 2014 (click here to read complete post)

peering

Cardinal Wolsey. The ever present window slammer of a bird, is still with me. I now believe she is more than just a disturbed bird. Pat and Finn met a woman at the park last week who, after hearing the story of the intrepid one, immediately suggested that she was someone who I had known who had “passed on” and did I know anyone in the clergy. Well I sat back in my chair at that one. Seriously, my father, the Presbyterian minister, returned as the slammer ?

woolsey

Possibly ?
I’m still pondering that one.
But this bird is definitely trying to tell me something. She now follows me from window to window and watches me all day long. The hurling Herself at the panes behavior seems to diminish when I settle in at the easel. Then she just flies up and stares at me…the rubbernecker.

Well, ok, that part could be Ted. He is definitely nudging me to focus on painting…probably as I write this…which is taking time away from what I began this blog with…

that perfect painting day.

Well, the dreary rain has turned to our first snowfall of the season. The promise of a winter wonderland, a bird in the oven, one at the window, and two dozen at the feeders…that’s all I need of Thanksgiving.

And, this…to all my friends and patrons, whose support allows me to do the work that is so meaningful to my soul…

Thank you.

Post Script – June 2015

After painting those eyebrows…I do believe it is Ted. He would wear the cappa magna with panache.

The Cardinal  –  10 x 12

The Cardinal

If you read the other notes on this little gal
you understand the determination behind this gaze
the relentless dementia of the tapping behavior
the persistence of the muse

but you know what ?

ever since I finished these bird series paintings
as I have been sitting here in the office
for almost a week
working on the computer to get these files up on the website
and composing painters notes

it’s been….quiet.

Not a single tap.

The only other time that happened
was when Zoe was here in the studio
painting along side of me.

Now what do you make of that ?

Himself  –  14 x 12

Himself

This is Ted’s teacup.
(Thank you Terry)
And an old coin silver spoon
with which Ted gifted to us a long time ago.

But that bird…
she’s all mine.

Cardinal Wolsey.
Each time I painted her,
I fell deeper into those eyes.

There’s a thing about birds.
You can never get close enough
in person
to really look into their eyes.

I have dozens of good photos now of Wolsey,
but there are hundreds of blurry rejects
that were snapped just before
and just after she smashed into the window.

The split second of the camera lens
has given me a gift.

For all her racket,
and by that I mean
demented
torturous
unrelenting
eternal-faucet-dripping
madness of the tapping…

she really has beautiful eyes.

God, I’ve fallen for the bird.

 

 

 

 

Home stretch…

The Pedestrians

The Pedestrians  –  32 x 38

This, I owe, to David P. Wallis.

I love it when people say, ya know what you outta paint ?

So, David says, ya know,
I just stopped over at Mermaid Farm,
and I think it would be great
to paint that pedestrians and bicyclists
quote thingy that they have, written in magic marker over the vegetables.

We have stopped there of course.
It’s a gem on middle road.
I often wish I knew the farmers,
because they have a really groovy thing going on there.

So I gathered reference shots, and sketches,
from several different times of the day, and year
and, when I was sorting through them, I saw
the chickens.

Bam, I’m in.
Bird series here we come.

But I had an editorial decision to make.
Half of the detail shots were from July
and half from October.
The light was different in both but I can handle that.
It was the produce.

Dahlia’s catching the warm afternoon light,
a bag of papery dry onions,
and an autumn tapestry of leaves,
or…
those luscious purple onions,
bunches of thick leaved dinosaur kale,
potatoes and beans, and summer hot green leaves.
And someone WILL notice if I mixed them together.

You can see I went with summer,
but I figured I could pick and choose
among the two versions of tables and tin cans,
rows of seed packets inside the shack,boxes and buckets,
and the fifty different positions in which I caught light cascading on the scale.

But among all those changing details,
one thing stayed the same…
the red bicycle pump.

Did you find it yet ?

And that little lizardy thing…missed that one didn’t ya.

Thank you David P.

Good Morning America…

It took an illegal neighborhood fireworks display, which I had to duck and cover from on my walk home from the studio last night, to remind me that here we are at the 4th of July already. Whew, and I’m still framing.
I was distracted this week by the crew who were waterproofing our basement, but it was quite a wonderful feeling to actually “enjoy” listening to the sound of the rain falling on our roof as we nodded off to sleep. And not just because it put out the giant sparklers across the creek. That rain is still around this morning, and the sky is a rich umber grey.
So today’s painting is a good fit.
Head north from here, hang a sharp right just above the Rhode Island border, watch the trees get shorter and shorter as you head east, go round about and round about and slow way down, then get in a long line of cars with bikes and kayaks on the roof, bump your way over the steel plates and onto a ferry. Doesn’t matter which one, they will all get you to the same place. The island of Martha’s Vineyard. If, after floating by the first light house you see, the boat starts to take a wide turn to the right, you will be coming into this port, Vineyard Haven. We’ll be doing just that in a few days…geez, I better get back to work…

Wharf Company  –  24 x 38

Wharf Company

I knew this was going to be a long stretch at the easel.

I started a new detective series.
12 plus hours of audible per book.
20 books.

Then I switched back to my favorite author, Laurie R. King,and reread most of her Mary Russell/Sherlock Holmes series
in advance of listening to the newest addition.

Looking back at it now,
I can hear the Scottish brogues of both narrators.
The perfect soundtrack to this stormy wind blown sea.
And, for one more note of synesthesia…
I give you…
Holmes Hole.

In the “Confessions of the Artist” department…
I borrowed the crow from another composition
which I am working on, that features the great big tug boats
anchored over by the gas station.
And I moved the pallet of chains a bit to the right…
boy were they heavy.

But everything else is completely honest and authentic…
right down to the tiny light on top of the pole on the ferry.

Breakfast with the birds

I’m munching on my own breakfast of granola, and berries picked from the garden, as I write. It’s Uncle Barney’s birthday, so I added some flax seed in his honor. Go Barn. There’s a lot more of everything to do today, so I’m getting a jump on the blog post. If we cross two more off today that will leave five.

I give you…

Breakfast with Nancy Luce  –  24 x 20

Breakfast With Nancy Luce

Gallery owner cum muse.

I had this painting in mind from the beginning
but somehow it got saved until the end.

So, it had a lot of time to percolate
on the back burner of the creative mind.

Which was fortunate because
the first scarf was red and I really like that vintage blue check.

The wooden chickens were originally supposed to be feathersbefore the box of my father’s remnants arrived.

The eggs were always going to be Homer’s
but he added a few more colors to the coop for the spring layers.

And then there was Mr. Morse.

I had been texting him images of the paintings as they were finished.
It’s always nice to get feedback, and in the early stages, my fragile ego
can only handle positive comments, which…he knows and respects.

But, when he saw that I was working on this homage to Nancy Luce
he told me he had just purchased one of her original pamphlets of poetry.

I had him send me a photo and just like that…
the piece came together.

It’s a wonderful life.

Scare Crow  –  12 x 29

Scare Crow

You should have seen Pat modeling for this.

I dressed her in my plaid shirt
found just the left glove so that decided which hand to hold up
the straw was…everywhere…from my straw bale garden
that pitchfork is the one we bought back from cousin Eddie’s estate sale
and the crow…flew in just for a guest appearance

My model fees vary

I got away easy with the crow
she needed the straw
and was satisfied with the handful from the sleeve

Herself…
well let’s just say
she doesn’t work for peanuts.

Katama bound…

Katama Flyway  –  24 x 48

Katama Flyway

This is a lonely outpost
in the last of October’s light.

The warmer cerulean hue
which promises cold and snow
is just beginning to change
out there on the horizon.

They know
those geese.
And they are calling…

As Mary Oliver wrote,

“Meanwhile the wild geese, high in the clean blue air,

are heading home again.

Whoever you are, no matter how lonely,

the world offers itself to your imagination,

calls to you like the wild geese, harsh and exciting —

over and over announcing your place

in the family of things.”

Wings of Katama  –  12 x 18

Wings of Katama

It was cold.
We were on our way home.
We had just buried Ted.

And he was free
to soar.

 

 

Overhead

Today’s two are silhouetted against that vast vineyard sky…

Trident  – 20 x 24

Trident

These Osprey kept a close eye on our friends Pete and Della.

They were neighbors.
That’s what neighbors do.
I got the chance to sit on their porch,
Pete and Della’s porch,
and study the nest for a bit in the summer
and a bit more in the fall.

It wasn’t til I got back to my Pennsylvania studio,
and studied the photographs I took,that I saw the trident.

That stalwart symbol of the sea.
I was faithful in the rendering of every branch and twig
which generations of this family labored to weave,
and, as the days of painting went along,
I came up with lots of stories about
who was celebrating what
with that blue and white ribbon.

Pete’s not around to tell,
and Della can keep a secret,
but that middle bird,
don’t you just think,
with those googly eyes..

she’ll be the one to tell all.

Marsh Watcher  –  24 x 20

Marsh Watcher

On the other side of the Darling’s house is a great expanse of marshy wetlands.

The osprey have permission to do flybys
but this guy is the sheriff.
He’s the one who “gives” the permission.

Human and reptile,
grapevine and vole,
We are all being watched.

The Aerie

The Aerie

The eagles nest.
Late winter.
Two eggs.
The whole world watches.
In the wee hours
on the morning of Herself’s birthday
I lay in the dark
and looked on my phone
at the snow covered nest.

There was a crack.
And then a hole.
And then a tuft of down.
And then a beak.

By that evening.
There were two.

After months of tuning in.
After Zoe and I noticed how the Mama
would tuck those babies in tight
with her giant eagle wings…
and we started giving each other
eagle hugs.
After learning that I could keep the video playing
by leaning the phone on my easel ledge.
After dozens of terrifying tippiness of the tenders scooting along the edge.
And cringing into a fetal position each time the bully
knocked the bobble head heck out of his sibling.
After tilting our own heads to see what was shooting out of…oh.
And identifying the species of dozens of carcasses.
After watching them break through the shell of ice covered wings.
And sympathetically panting along with their tiny tongues in the hot afternoons.
After learning that this branching thing they do…
flapping untested wings and hopping OUT OF THE NEST
onto the nearby branches…is normal.
And seeing up close and personal some pretty raw footage of feeding.
After all that…
They ate the camera.

Well, not really.
But they jumped on it
and it tilted to a very vertigo unfriendly angle
straight down to the ground…
150 feet down.

Occasionally now,
there is a wing tip.
And once I saw three minutes of a talon.
But it’s pretty much over for the ten million of us
who raised these kids.
They have fledged.

The nest is about 20 miles from us.
So their weather was our weather.
Their snow, we had to shovel.
Their lightening, was our thunder.
And their dark, was our bedtime.

Trespassers were prosecuted.
But there is an outpost,
across the lake,
where watchers can watch.
I’m told they stick around the nest.
You have to use a massive lens
for not much eagle.
So I don’t go.
I’m still upset at getting them so far
only to miss out on the big exodus.

So I painted this.
A little eagle tea hug
from the studio.

Ex Libris

Ex Libris

After our pal Ted died, my friend Katie and I decided to honor his being in our lives, with a road trip.

Ted used to grab his stick, and match a stylish hat to his shoes, and lift the plastic handicapped parking sign from the kitchen hook and into the truck we would climb to wander the island in search of painting ideas.

Ted knew everyone and every corner on Martha’s Vineyard. Even after he lost most of his sight, and all of his hearing, and none of his wits, he could still navigate us to the most god forsaken dirt road dead ends, and take three steps further, and be standing before beauty.

Gay Head lilies, at the end of a meadow, that we reached by marching straight through a woman’s yard to see.
Should we knock first Ted ? No, she won’t mind. Turns out she didn’t.

The towering brickyard chimney, at the bottom of the steepest rockiest dirt road the truck had ever seen, which all but bounced his own self into the heath. PG was in the front seat, and Ted was folded like a Gumby in the tiny back jumper.

Climbing to the top of Crick Hill, all the while swinging his cane dangerously close to my head,
to illustrate his historical narration.

Posing, unknowingly, at the top of the beach steps alongside
Pete in those weathered moccasins.

Like that.

And so, so much more.
So, anyway, Katie misses him too, so we are now doing Ted Trips.
On this one we did most of our looking from the car, because my new knee was still pretty new, but we did manage to climb around Cedar Tree Neck long enough to get the tick that gave me Lyme Disease, and we did some knitting parked at the beach in Menemsha eating our snack, and Katie wanted to take me to see the new library,
where she spends some quality time with friends and literature.
But it was closed.
We walked around the building, getting a glimpse here and there of the shiny new interior, but coming back up the hill to the car it was the big old grey mailbox that caught my eye.I had told her of my rambling idea of painting “Up Island Openings”, gates and windows and granite pillars and such. Not a theme yet, just a whisper of a concept really.

She thought the mailbox would fit right in, actually I think she was humoring me and inwardly suspected that the cheese was sliding off the sandwich. But she’s a gem and a kind soul…
and after some consideration her razor sharp brain came up with Portals.

Yep, that’s much better than openings.
This is the first in that whispered at series…
notice how I got it to fit into the more concretely thought out “Bird Series” ?

Thanks Katie
That was sorta fun.

Taking flight and scaling down…

These two are about wonder and fun and imagination.

To Scale  –  16 x 20

To Scale

Menemsha is a magical place.
In, of, and surrounded by the sea.

Imagine what a young child feels,
standing in the shadow,
of the behemoth swordfishing hulls
that line the wooden docks.

The mysteries that await them
in the swirl of eddies behind the jetty,
running full tilt across the crescent of sandy beach,
or wading slowly, slowly, with net in hand,
as a tiny creature wiggles under the nearby stone.

Tales, both tall and terrifying
can be overheard sitting on the bench at squid row.
Sloppy sided rubber boots
drip salty puddles.
Floppy brimmed canvas hats
get tossed on coils of rusted ropes and chains.
Whip thin rods and lines cast delicate wakes,
and listen…
to all the sounds that water can make…

it’s the definition of childhood.

Two, such curious and adventure bound children,
were walking along the new pier,
built in the wake of that dreadful fire which razed the Coast Guard boathouse.
I don’t remember if it was before
or after the ice cream cones,
but the energy was high and the sun was shining.

The boy ran ahead.
He had spotted this fish,
laying so perfectly, and with nary a fisherman in sight,
as if it had just leapt out of the sea.
His sister remarked on the brilliance of the colors,
and he reached into his pocket
and layed the three bottle caps he had collected
in a neat row alongside.

All of this
and more
is dancing
in that shadow.

Solo  –  18 x 24

Solo

Now take yourself to the other end of the island.
The long grassy strip of heath
that leads, over the line of dunes,
to South Beach and then…the ocean.
You are at the Katama Airfield.
Actually, you are in the Right Fork Diner
which is in the field next to the tiny airport.

It’s a Wright Brothers era kind of a place.
With all the wooden propellers and greasy rags,
it can easily fool the 21st century visitor
into thinking they saw their great grandfather, sitting on the old ladderback,
in the shadowed corner of the hanger.

My great-grandfather actually did work for the Wright Brothers.
Which must have been what drew my attention to the bits of fabric
hanging from index cards, which were thumb tacked in a neat line,
all around the ceiling’s edge of the dining room.

The gentleman next to me noticed my curiosity
and told me that when a student pilot flies their first solo flight,
the instructor ceremonially tears off a piece of her or his shirt.
Each of the cards had the pilots’ name and date of flight
and the word, “Solo” written in block letters
with a ratty bit of shirt tail attached…
here and there a button or a cuff.

The earliest ones I could see were from the 60’s.
I don’t think the place would have looked much different back then.
A little less rust maybe, but isn’t that true for most of us.