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Sankaty Sails

After a loooooonnnng day of firing up the old framing muscles,
and after an arduous winter, lifting tiny brushes,
and bowing to hard driving muses,
it is sooooooooo nice to look at this painting,
the ferry docks at Wood’s Hole,
and know that in just a little over one week,
we will be right there.

With a car full
of freshly framed oil paintings,
two tired but happy old women,
on board a great iron vessel,
steaming for home.

I never tire of that 45 minute trip.
Even the passages which I have spent deep in the bowels,
catching a few last zzzzz’s on the 7am boat,
before the long drive back to Pennsylvania,
or the one’s where I chose to shelter
from the raging winter storms,
and look out over the freight boat’s rail,
while knitting those fisherman’s patterns,
in the warm and cozy cab of the truck.

For those, and all those other trips,
when the summer sun was shining,
or the October fog blanketed the sound,
when the passengers played with the following gulls,
and the benches left our shorts wet from the waves,
and my camera caught
just the right raking light
on a rigging of canvas sail
that was carrying some other sailor
home from the sea…

I owe all of that magic,
all of those memories,
all that the vineyard has become in our lives,
to that very first voyage,
can it be so close to 40 years ago…
with my friend Lynn.

Sail on silver girl.

Visions revisited…

Last year at this time,
I was polishing up the tiara,
and mirror ball,
for the opening of …

Since then, the dynamic creative production duo of David and Barbarella Fokos,
aka Salt and Sugar Productions
have been dividing their time between studio work, filming and editing of new productions for TAO, The Artist’s Odyssey (check out their updated website),
oh…AND enjoying awards ceremonies at International Film Festivals.

Indeed, news that Visions of Home
was an official selection of NOVA Fest — the Northern Virginia International Film & Music Festival (http://www.novafilmfest.com), came across the airwaves back in March.

Then comes news this week, that TWO of their films will be included in the
Oceanside International Film Festival 2017, next month !!!

Yep, that’s me at the easel again…still painting that blue door !

So, as I am in final production for my next show, at the Granary Gallery in only a couple weeks, I have been given the opportunity to provide my readers and viewers with a special chance to see the movie, Visions of Home, in all it’s seaside glory, here from my website.

For anyone who might have missed it the first go round,
or who may be new to this site because they saw it at some film festival without knowing beforehand who that old woman with the paint all over her shirt was,
and for the rest of you who just simply cannot get enough of watching paint dry,
and do not let me overlook Finnegan’s fan base…

Anyway, David has made a lovely page dedicated to the movie where you can see the trailer and watch the full film and get some backstory, with the wonderful blog post that Barbarella wrote about last years’ debut screening and some of the process behind their process, which alone is worth the read…and he’s included the article which The Vineyard Gazette published around the time of the opening in which they interviewed Barb and David about the making of the film.

So grab a bowl of popcorn,
pull up your lawn chair by the kiddie pool,
put a straw in some cool beverage,
set your favorite viewing device to this link…

Visions of Home

and Herself and I will welcome you into our lives…
and our hearts.

 

Betsy’s Gift

In honor of the 42nd anniversary of the opening of the movie Jaws…
I give you Betsy’s Gift.

These dear lads had spent a glorious afternoon fishing up and down the dock in Menemsha. I sat outside of Larsen’s eating my steamers and enjoyed their serious minded focus and the simple pleasures of the day.

At one point the blue shirted boy came running out of the back door with that blue bin
and brought it over for the others to inspect…”Look what Betsy gave me !”

The boys were excited and immediately set to work cutting up the bait fish.
If you had been there, I think you would have smiled along with me.

And then you could look to your left,
just there around the basin of fishing shacks,
no more than a hundred yards
from where these young fisherman are standing,
and…using your imagination,
and a healthy dose of nerves,
you could see where Steven Speilberg himself
directed, from the dock out back of the Galley,
lo those 42 years ago,
as they filmed that epic sea drama.

I’m heading home now,
the pizza has just arrived,
and it’s time for the annual viewing.

Yes, we are going to need a bigger boat.

7 Years Young

Have to take a break from rolling out the new paintings…to wish this amazing young human a HAPPY BIRTHDAY.

Zoe turns 7 today !!!

She has been exploring her creativity as student, model and muse in her 7 years of visits to the studio, and her independence, gregariousness, and focused curiosity have left their mark on this artist/grandmother.

Here are a few other Zoe inspired paintings…she’ll be here in a few weeks and I can’t wait to see what she’s got up her sleeve next.

Happy Birthday Zoe.

Ana of Inisoirr

At the top of the craggy hill,
inside of the stone walled gate,
is a small patch of Irish green,
a few wooden picnic tables,
with heavy stones in their centers
to keep the ever blowing wind
from sailing the menus up and across the burren
and out over the wild Atlantic sea,
and blue aproned Ana,
who serves the best fish chowder
Herself has ever tasted.

Tomas of Inisoirr

Ah, yer ever so kind…
such a warm and hearty response for Macy,
and I’m humbled, for my sins, by that.

This then, is Tomas.
He who lets Macy take the lead
as they welcome travelers to their tiniest of the Aran Islands.

This week, the annual Bodhran festival is taking place there.
On my bucket list, it is.
When they throw open the barn doors,
I’m certain Tomas and Macy
can hear all those drums a’ beating.

Brilliant.

The Granary Gallery Show

It’s been right there,
over my shoulder,
for lo these many seasons gone by…

I’ve kept my head down,
brushes flying,
and creative fires burning
all the days in between this and my last post.

And just like that…
the summer show at the Granary Gallery is HERE !!!!!

Sunday July 30 is the opening reception
I’ll be rolling out the new work on this blog and on Facebook and Instagram,
so I’ve got lots of fidgity computer work to fit in between the last few brushtrokes
over the dwindling weeks in the next month. Gulp.

I just wanted you to know I’m still here.
So,
to get us started…I give you…

Black Irish  – 32 x 48
This is Thomas’ horse Macy.
They both live on the island of Inisoirr, off the Wild Atlantic Coast of Ireland.

I’ll fill you in on their story,
and ours along the way, so stay tuned…
for now,
it’s back to the easel.

This just in from the rain forest…

a text..

from the jungle…

from Granary Gallery qwner Chris Morse…

“I thought your hat should cross a suspended bridge in the rain forest
today…in the shadow of the volcano Arenal in Costa Rica…cheers.”

That’s sorta fun…and thoughtful indeed.

Sisters and the Muse

This falls under Ted’s favorite category of “sorta fun”.

A while back, one of my master muses, John O’Hern, sent a query asking about the painting Sisters. He was writing an article about florals, and botanicals, and Albrecht Durer, and naturally…thought of moi. (She wrote with a grin)

The article came out in this month’s American Art Collector Magazine, which Pat brought in from the mailbox last night.

As I read through and found it today, I see that an image of Sisters did not make the editorial cut. I can see why as the others make a wonderful bouquet of floral still lifes, and my little garden painting is of the more humble vegetable variety.

But, here’s the fun part.
What John wrote about the painting Sisters is…in his most inimitably magical way…delightful.

And I quote,
“Heather Neill observes a helpful symbiotic relationship in her own garden between her tomato plants and a volunteer scarlet runner bean that self-seeded the year before. Sisters refers to the ancient practice of “sistering” or “growing companion plants to, in this case, literally, support one another”, she explains. “Native Americans would plant corn to support the beans, which would shade lower growing lettuces…all in the same patch.”

The subjects are shown after dusk plucked out of the dark by a porch light. Neill’s saturated color and hyperreal painting along with the dramatic light suggest a more sinister role for the vine when the light is extinguised.”

Only John would imagine such sinister designs, plucked after dusk by a porch light.

Brilliant, and ta.