NEWSFLASH…Vineyard Gazette reports that the Pinkletinks have been heard on the island…
but are they now in danger from a deadly fungus ??? Read for yourselves… ?Frog Fungus Nothing to Croak About by Peter Brannen
NEWSFLASH…Vineyard Gazette reports that the Pinkletinks have been heard on the island…
but are they now in danger from a deadly fungus ??? Read for yourselves… ?Frog Fungus Nothing to Croak About by Peter Brannen
Pat just called and frantically yelled to get my camera and come outside…
Here’s who came to visit the studio this afternoon…
She , or he, sat perched in this hickory for enough time for me to circle around and get the sun in the right angle and then sat long enough for us to call Sue and Zola to look out their windows and then an electric truck drove by and that was time to bolt…
It wasn’t until it had taken off that we saw there were two of them flying around together. When I came inside to look at the photos the other one was there all along…
The whole neighborhood came out to see and it was a wonderful break from a long day of painting shingles…You can just make her out in the upper left corner…my easel window in at the bottom right corner…
Someone told us they are living in a nest down the lane…now that they know their way to the studio I’ll be sure to leave some goldfish out for a snack…
are now breaking out over the studio …
This is all good. Last Friday was in the 70’s and, even though we started the day with a hospital visit for an infusion of Reclast, we stopped on the way home for a picnic and a walk in the park with Finn and enjoyed most of the day just being out in the warm sun.
The rest of the weekend was no picnic. The occasionally reported flu-like reactions to that drug turned out to be more like the Dengue Flu. A short controlled burst of the pneumonia I was plagued with this time last year… and then some.
But, hopefully, short is the keyword in that last sentence because I am marginally better each day and back in the studio this morning. The pretty snowfall that we awoke to has helped to send me back into the much needed winter of creative hibernation and the continuing muscle fatigue and soreness is forcing me not to shovel this one out.
The days of laying in a sick bed were not completely wasted as I signed back up with Lynda.com to challenge my brain to learn something new in Photoshop. Long story short, last week I learned that I had fallen prey to purchasing a bogus Cs5 upgrade a few months ago. It had started to crash and burn which led me to realize that my computer which had been having it’s own problems was actually 5 years old now. Ancient in the graphics world. And, with the unexpected sale of a painting here in the studio, I decided to bite the techno bullet and upgrade both hardware and software at the same time.
As an artist who pays homage to detail, I have spent as much time sharpening my computer skills lately as I have my pencils. Both are tools and only as good as the craftsman who uses them so I study and practice and learn. The tutorials are terrific because I can work at my own pace and dip back in for refreshers as needed. I have already learned about fifty things that will make a huge difference in my “workflow” and am eager to try them out with the new machine.
It’s all about getting the composition up on the panel as efficiently and quickly as possible…then I can settle in and let the muses take over.
Now, it’s time to put this bump in the road behind me and get back my mojo…
carpe diem !
Getting lost in the details can sometimes mean losing the details themselves.
It can take hours and many layers of paint to make a convincing shingle, or door. Especially when the wood is painted white. Every angle and corner reflects the light differently. And you can’t just mix up a “blue” for the shadows because they rely on what’s under them as much as what the sun is doing for their color. And all those parameters can change in a heartbeat on what you thought was a stable sunny summer day when a cloud passes over.
So I’ve been paying close attention to those shadow passages for a few days as I built up the layers on this vineyard doorway…
And, as is my practice, I sat back at the end of the day to review the progress and make notes on things to address in the morning and something about this stage bothered me. So I got up and turned the lights off and heat down and came back once more before heading home…and it jumped out at me. Did you catch it too ?
There was only one hinge on that door.
I was concentrating on the depth of that blue and missed the tiny little detail of hardware without which that door would fly away in a stiff ocean breeze.
I’ve got it on there now, along with the next couple layers of light and some the rest of the hardware and my walking stick.
Now if I only had time to fix the door to Pat’s office in the log cabin that has fallen completely off it’s hinges. Must be the theme of the week.
This is the chair I would like to be in this morning…
But this is the chair that I’ve actually been in all morning…
Because being a self-employed professional artist is serious…well…business. Which I think they should be a required course for any art major these days !
And lately this seems to take up a whole lot more of my time that it used to. And the creative right brained visual learners amongst us can empathize with the struggle it can sometimes be to balance all the numbers on those little bits of paper that the CPA would like you to sort out. It is only one reason that I am intensely grateful for our team of accountants headed up by Pam Bazella at Brown, Schultz, Sheridan and Fritz in Lancaster, PA. They are clever and patient and kindly have our backs and I simply could not function without them.
Self-promotion is another aspect of “the business of making art” (which should also be taught in that art major’s curriculum) and it can be layered with a healthy dose of narcissistic potholes that are sometimes hard for the shy me to step over and around. But it is a vital part of being successful when you are measuring your goals with mortgage payments and health insurance bills. So I swallow…humbly…and plow ahead with announcements each time a new rung of the ladder is reached.
AND I have another partner in this adventure…and this life…without whom I could not exist let alone function…Herself, my Lackey, my Pat. So it is with great relief that she has made it home after a week of watching the new grandbaby up in the north country. I was happy and oh so jealous that she got some good bonding time with Zoe…but happier to have her home with Finn and me.
And now, with all that business out of the way…
I’m gonna go slop some paint around.
Many thanks to John Seed for including me in this week’s blog about artists and their studios…
click on the image below to read the blog and there’s a window on the right where you can vote for your favs !
Mother’s Darts
available at the Granary Gallery
I don’t know where the art gallery business began using the term “stable”, as in “stable of artists”, to refer to the artists whom they choose to represent…but I was pleased to receive a phone call last night to welcome me out of this mid-winter cold and into the warmth of the stables of Gallery 1261 in Denver, CO.
I look forward to having this venue to expand our patron base and am honored to be in their fine company of artists such as, Scott Fraser, Daniel Sprick, Robert C. Jackson, Quang Ho, Kate Sammons, and Nancy Switzer just to name drop a few !
Now, as our first real nor’easter wails without… it’s back to the easel for me…
We have had one day in the last two weeks with temperatures above freezing and I was able to get out to the garage and finish wrapping the rest of the panels working late into the last of that afternoon sunshine.
But, along with the rest of the country, we have been shivering ever since. In this part of the state the meteorologists use Harrisburg International Airport as the official temp. gauge. This morning I happened to be at HIA and could verify that it was indeed 1 degree outside. And since the little dribbles of water that we had left running from both of log cabin faucets decided …..to….stop…….dripping……..yesterday…………morning……………I can attest to the fact that it is too cold for those panels to be out in the unheated garage.
So I have brought them all, all 20 of them, inside and up the steep and narrow stairs to the library loft.
Last night I got the first coat of gesso on the back sides. This is more easily done with a wide putty knife…unless the plastic one you bought for this purpose was used as a chew toy by your apprentice…
Today I will turn these all over, give the canvas a light sanding to remove stray bits of dried gel medium (which is the adhesive I use to attach it to the Dibond) and then …using the new putty knife…will start the first of several coats of the acrylic gesso. I find that I can use the scraper up to about the third coat before the streaks it leaves are too prominent. I’m going for the smoothest, weave-free look possible.
The final coat will be with the Art Board Gesso and probably brushed on. But I’m eager to see if working up in the loft, with it’s great source of light, will make any difference to how well I can apply the final layer.
This all will have to wait just a bit longer however…since the phone reception is poor up there…and I am monitoring a delayed flight due to mechanical troubles…and the computer has now become command central until my traveler is wheels up…and safely back down.
Stay tuned.
It’s been a couple of seasons since we had the pleasure of John O’Hern’s company in our little corner of the planet. As part of his east coast travels, he came to the studio to interview me for the American Art Collector Magazine. John is one of those rare humans who has a thriving curiosity, the intellect to follow where it leads, and a profound peace at the center of his core. The combination makes for stellar conversation and his rapier like wit always keeps me on my bog-Irish toes.
I’m so grateful to John for his continued support and to Joshua Rose, the editor of AAC for profiling my work in this issue. The magazine is my go to source for the latest from artists and galleries and I’ve found something new and important for my work in every issue.
The February issue will be out soon, if not already, but here’s a peek at the first page of John’s article…
Circles within circles within…circuses.
When I decided to paint this wonderful old truck that now lives out it’s final days on the farm just over the hill I had no idea that it had one more curtain call in its life of serving show business.
The painting was on exhibit for the show in York last November and I was surprised when a line formed of people telling me that they knew the truck, knew of the circus, were IN the circus and each had a fountain of memories about the good old days in which that truck played such a big part.
Since then, many of the performers have been in touch. They have a Facebook page which archives the history of this small town summer circus which was started by Dr. Charlies W. “Doc” Boas who was a professor at York College, here in PA. (Some of their anecdotes are posted below)
The painting is now on exhibition at the Granary Gallery on Martha’s Vineyard, which you all know is where a good portion of my creative energy and inspiration comes from.
Recently, I’ve made a conscious decision to step outside of my Pennsylvania studio more often and paint what I see in my own backyard. The truck is something we pass daily as it rests in the iconic fields of corn and so the muses called.
So, with the synergy and symmetry that lights my way these days, it was no surprise to read from one of the circus alumnae that this very truck was on the ferry over 3 decades ago bringing the Circus Kirk family to the Vineyard. The first circus to play on the island. My friend Ted remembers the dancing ladies !
A great big thank you to all the members who have taken the time to write and share their stories with me…
here are just a few…
From Charlie Boas (son of the founder) –
It ran for ten years in the 60’s and 70’s. It was the creation of my
father, Dr. Charles W. “Doc” Boas. It was staffed with almost all
college and high school students and usually only played in the
summers. It was based outside of East Berlin, PA in Adams County. Most
of the youth who worked for the show mark it as a major event in their
lives, and my dad is sort of a revered cult figure. Dad passed away in
Stewartstown about ten years ago. The truck you depicted is sort of an
icon, toiling away in a field outside of York.
Your painting gives it a wistful quality which I find to be
bittersweet. The circus was a big part of my life during my formative
years and sometimes I feel like that part of me is indeed out to pasture.
Incidentally, one of the big adventures we had on the show was the time
we loaded the whole show on the ferry and played a date on Martha’s
Vineyard. What a great audience, and what fun to take all the trucks on
the ferry. I recall it took two or three loads to get them all over.
We were the first circus ever to play there.
Thanks for making the painting, and thanks for letting me ramble.
From Jeffrey Gabel –
In 1971, I was fresh out of college and my first job in show business was with Circus Kirk, a student summer tented circus out of East Berlin, PA which is 15 miles northeast from Gettysburg in rural Adams County. In addition to performing as a clown, I drove the stock truck in your elegiac painting “Out to Pasture.” I also painted the circus logo on the truck. It’s amazing the truck has survived because it was already ancient in 1971 as was the entire fleet of Circus Kirk vehicles. Everyday, I loaded the truck with five ponies, one obstinate palomino horse by the name of Golden Rocket, his arch enemy Bama the Lama, Munch the Wonder Goat, a the mongrel dog act, and Pork Chop the trained pig. Talk about a menagerie! And those poor animals had to suffer my jerky driving because I learned to drive a stick shift on that truck so my shifting was anything but smooth. What stories I could tell you about the adventures in that truck, traveling the highways and byways of rural Pennsylvania and Ohio. And the breakdowns!