And Finally…

If I did this right, this should post all by itself on the morning of the Granary Gallery Show opening. And if all else goes well, Pat and I will be waking up to a beautiful day on the Vineyard as you read this.

As I am writing this tonight it is almost midnight and we are still a week away from leaving home, the studio is full of carefully wrapped paintings, the trailer has yet to be cleaned out, and there is much packing yet to do…so you can imagine that this new technology is playing little tricks on my weary psyche.

It has been a long and rewarding journey to make my creative way through this series, Reclamation. And without further ado, I give you it’s finale…

Severe Clear – 40″ x 70″

Severe Clear

My guide at the beginning of this journey was Denys Wortman, a MV Museum Board member whose Vineyard roots are deeply woven into the fabric of the island, Denny was a fountain of information.

I returned to the building many times during that visit last autumn and tried to experience how the light and shadows changed over the course of a day.   One morning Denny met me and brought along the museum flag.  When I stepped outside to walk across the wide expanse of front lawn to help him raise it I commented on how there wasn’t a cloud in the crisp October sky.  “Pilots call that Severe Clear”,  he replied.

Back in my Pennsylvania studio when I was looking through the sketches and notes I had taken I found that I had written down that phrase and, for almost every morning of the dozens of days it took me to paint this view from the balcony, the spring sky here was brilliantly cloudless…so the title fits.

I became intimately familiar with every one of these buildings, and boats and trees over the many weeks of working on this painting. But it was the tiniest of details that the muses insisted on which kept a sparkle in my bleary eyes. The pinpoint of green in the traffic lights at the drawbridge, the rigging on the tall ships, the picnic table where Pat and I eat Chef Hesi’s sushi,  the ducks in the rippling current, the flecks of red paint on the oar…and the best of all…the little dog on the back of the boat.

You will need a magnifying glass to see him…I sure did.

So now my tale is told. The Martha’s Vineyard Museum has already begun the renovation work to revitalize this old Marine Hospital, and bring about it’s next incarnation as the future home of the MV Museum. I hope this series of paintings will offer another layer of historical perspective on the long life of this building to those new generations to come who visit the museum.

Now you all go out and have some good old summer fun… and we will raise a toast to you tonight…thanks for listening,

Heather


Aquisitions

So now you know what the series Reclamation is all about. I’ll fill in with some of the backstory for each of the 10 paintings…

Marine Castaway – 25″ x 28″

Marine Castaway

When I walked into this hallway and saw that old boat my heart skipped a beat.
It was not just the surprise of seeing it “out of water” as it were, but the juxtaposition of it against the primitive mural in the room beyond.

There was a long period of incubation in between my autumn visits to the building and finally picking up a paint brush to begin this series. As I mentioned in the catalogue, it wasn’t even a series at first. But the image of this boat, the intrigue and the challenge of how to render its character, was what I kept being excited by, so it became the jumping off point.

This, for me, more that any of the other paintings in this series, captures the broad arc of the story of this building’s history. From Marine Hospital, to Children’s Sailing Camp…and now the opening chapters of it’s future as the home of the Martha’s Vineyard Museum.

I could just swim in those blues.