Ex Libris

Ex Libris

After our pal Ted died, my friend Katie and I decided to honor his being in our lives, with a road trip.

Ted used to grab his stick, and match a stylish hat to his shoes, and lift the plastic handicapped parking sign from the kitchen hook and into the truck we would climb to wander the island in search of painting ideas.

Ted knew everyone and every corner on Martha’s Vineyard. Even after he lost most of his sight, and all of his hearing, and none of his wits, he could still navigate us to the most god forsaken dirt road dead ends, and take three steps further, and be standing before beauty.

Gay Head lilies, at the end of a meadow, that we reached by marching straight through a woman’s yard to see.
Should we knock first Ted ? No, she won’t mind. Turns out she didn’t.

The towering brickyard chimney, at the bottom of the steepest rockiest dirt road the truck had ever seen, which all but bounced his own self into the heath. PG was in the front seat, and Ted was folded like a Gumby in the tiny back jumper.

Climbing to the top of Crick Hill, all the while swinging his cane dangerously close to my head,
to illustrate his historical narration.

Posing, unknowingly, at the top of the beach steps alongside
Pete in those weathered moccasins.

Like that.

And so, so much more.
So, anyway, Katie misses him too, so we are now doing Ted Trips.
On this one we did most of our looking from the car, because my new knee was still pretty new, but we did manage to climb around Cedar Tree Neck long enough to get the tick that gave me Lyme Disease, and we did some knitting parked at the beach in Menemsha eating our snack, and Katie wanted to take me to see the new library,
where she spends some quality time with friends and literature.
But it was closed.
We walked around the building, getting a glimpse here and there of the shiny new interior, but coming back up the hill to the car it was the big old grey mailbox that caught my eye.I had told her of my rambling idea of painting “Up Island Openings”, gates and windows and granite pillars and such. Not a theme yet, just a whisper of a concept really.

She thought the mailbox would fit right in, actually I think she was humoring me and inwardly suspected that the cheese was sliding off the sandwich. But she’s a gem and a kind soul…
and after some consideration her razor sharp brain came up with Portals.

Yep, that’s much better than openings.
This is the first in that whispered at series…
notice how I got it to fit into the more concretely thought out “Bird Series” ?

Thanks Katie
That was sorta fun.

Taking flight and scaling down…

These two are about wonder and fun and imagination.

To Scale  –  16 x 20

To Scale

Menemsha is a magical place.
In, of, and surrounded by the sea.

Imagine what a young child feels,
standing in the shadow,
of the behemoth swordfishing hulls
that line the wooden docks.

The mysteries that await them
in the swirl of eddies behind the jetty,
running full tilt across the crescent of sandy beach,
or wading slowly, slowly, with net in hand,
as a tiny creature wiggles under the nearby stone.

Tales, both tall and terrifying
can be overheard sitting on the bench at squid row.
Sloppy sided rubber boots
drip salty puddles.
Floppy brimmed canvas hats
get tossed on coils of rusted ropes and chains.
Whip thin rods and lines cast delicate wakes,
and listen…
to all the sounds that water can make…

it’s the definition of childhood.

Two, such curious and adventure bound children,
were walking along the new pier,
built in the wake of that dreadful fire which razed the Coast Guard boathouse.
I don’t remember if it was before
or after the ice cream cones,
but the energy was high and the sun was shining.

The boy ran ahead.
He had spotted this fish,
laying so perfectly, and with nary a fisherman in sight,
as if it had just leapt out of the sea.
His sister remarked on the brilliance of the colors,
and he reached into his pocket
and layed the three bottle caps he had collected
in a neat row alongside.

All of this
and more
is dancing
in that shadow.

Solo  –  18 x 24

Solo

Now take yourself to the other end of the island.
The long grassy strip of heath
that leads, over the line of dunes,
to South Beach and then…the ocean.
You are at the Katama Airfield.
Actually, you are in the Right Fork Diner
which is in the field next to the tiny airport.

It’s a Wright Brothers era kind of a place.
With all the wooden propellers and greasy rags,
it can easily fool the 21st century visitor
into thinking they saw their great grandfather, sitting on the old ladderback,
in the shadowed corner of the hanger.

My great-grandfather actually did work for the Wright Brothers.
Which must have been what drew my attention to the bits of fabric
hanging from index cards, which were thumb tacked in a neat line,
all around the ceiling’s edge of the dining room.

The gentleman next to me noticed my curiosity
and told me that when a student pilot flies their first solo flight,
the instructor ceremonially tears off a piece of her or his shirt.
Each of the cards had the pilots’ name and date of flight
and the word, “Solo” written in block letters
with a ratty bit of shirt tail attached…
here and there a button or a cuff.

The earliest ones I could see were from the 60’s.
I don’t think the place would have looked much different back then.
A little less rust maybe, but isn’t that true for most of us.

The beginning of the theme…

Feathered Dreams

Feathered Dreams  –

Brrr…it was early in the winter of 2015.

A humongous box arrived at my studio door.
It held some things from my father’s house.
Way down at the bottom was a little zip lock bag.
Inside were six carved wooden figures.
Hmmm.
I’d never seen them before.
After my father’s death a few years ago, I uncovered many items and stories,
some of which were familiar history, and some of which were mysteries.
I found photos and writings about his grandparents
and knew that at least one of his grandfathers tinkered with wood.
So, I thought that maybe these were saved from his childhood.

Then the muses struck.
I called Pat, can you come over…now.
She threw on her coat and boots and slodged over to the studio from the log cabin.
I love writing log cabin.
Anyway, I bade her to lie down on the daybed…and take a nap.

I found the paper bag, filled with chicken feathers,
which Homer had collected for me last summer,
and I dumped them on her head.

Then I laboriously positioned the little chickens
and the little goose around her sleeping head.
Tucked in her red snuggy blanket,
Herself was content to model as long as I liked.
Until the feathers started…to tickle.
I managed to capture this image
just before…the sneeze.

When I was finished,
and the model was back in the log cabin,
and the feathers were corralled back into their paper nest,
I arranged the dear ones along the window sill next to my easel.

Finnegan came over to give me an eagle hug
and her tail swept the smallest bird onto the floor.
When I picked it up I noticed some writing on the underside…
Made in Indonesia.

With a sigh,
I put her back on a higher shelf…
and began to reinvent her past.

5am…enough light to see

That’s the note I found this morning, on the studio kitchen table, written on a scrap of cardboard, with a sharpie, found beneath the pile of framing tools, which were left untidied, after a long day of framing, and print making, and general mayhem making.

The Follansbee arrived just after I put out the lanterns last night, stopping for a pallet on the studio floor, as he made his way home from a week of teaching woody things down at Roy Underhill’s place in NC. So, the note was all we got to see of him this time, but we had a good visit on his way down south last weekend.

the master carvers tea

His hair is long enough now to tie in the back and a good bit whiter. But the sparkle is still there in those eyes. Gonna catch up with him and the family in the fall, so that’s ok then.

The day dawns, a little later for my own self than the master carver, and Herself has left to ship two new paintings out to the Sugarman Peterson Gallery. There is an opening for that show on July 3rd, in Santa Fe, so today you get the first peek at them…

All Her Eggs  – 16 x 20

All Her Eggs 

Scape  –  12 x 13

Scape

From the sharply pointed pen of Mark Twain…

“Put all your eggs in one basket. And watch that basket.”

Eggs courtesy of Dru and Homer, who farm a CSA just over the hill. They are as delicious to eat as they are to paint. The eggs.

And just out that window and a little to the right is the little wren. Always.
When Zoe is here, she relies on the wren’s first trill of the morning to signal that it is ok to get her giggly self out of bed and start her day.
In the early summer she has a different job.
This summer she has built her nest in the birdhouse just above the garlic bed.
I wait with lusty anticipation all year for the garlic to send forth those gorgeously delectable curly scapes, and this season, her babies hatched on the very same day they appeared.

She spends her busy days now bouncing from Ted and Polly’s wind chime, to dancing from scape to scape.
So, there ya go. Ted is having a blast, directing the muses every which way I turn around here.

Look for these two garden graces to be winging their way out west this week. And if you are in Santa Fe, please stop by to visit Michael and Christie Sugarman and say hey for me.

Now it’s on to more framing…
stay frosty out there.

 

Down to the wire…

I am not looking at the calendar.But, un-like the light bulb in the refrigerator which may or may not be on when the door is closed…I know that the days are definitely still being crossed off…and the march towards the summer shows has become a sprint.

As mentioned in an earlier blog, when the snow was still falling, the Granary Gallery show is two weeks earlier this year, JULY 12th. Seemed like a doable time frame back in December but whoa Nellie here we are and it’s almost J-J-J-J-June. And, just to keep the old heart ticking…the Sugarman Peterson Gallery has added a special group show for the first week in July out in that art mecca of Santa Fe. Nellie needs another gear !

You will be getting the details on those venues, as well as a block buster of a show at Gallery 1261 coming this fall, but in the meantime…I’ve got to double down on the brushwork.

The 20 or so finished pieces are now working their way through the production pipeline. Fully dried, they now can be varnished, then Herself hauls them up to John to photograph, then I order frames and the folks at Artworks join them up, then we haul them back here to the studio and I turn me on some Suede tunes and pop them into frames and wrap for transport to MV or SF and beyond.

Just to let you know that I have actually been pushing some paint around for the last few months, I’ll give you  a sneak peak at one of the new works.

The Citadel72

The Citadel – 60 x 30

Now back to the easel… and I mean it !!!

Now here’s a mystery…

Last night I started a painting.
And I replaced my crusty old palette box with a brand new one.
It is just a plastic box to hold the tablet of disposable paper palettes…and this new one comes with a lid… I misplaced the lid from the old one centuries ago.
But, in spite of my excitement over the prospect of being able to cover the paints every night, thereby keeping down the dust…and this week the pollen…which is coating EVERYTHING….
Well, it seems I forgot to cover it…and this is what I found this morning…

pal

If you look really closely, you will see tiny tiny tracks.
It would appear, she writes putting her pipe down next to her deerstalker hat, that some creature crash landed into the raw umber which always anchors that upper left corner, and then walked, or dragged, her fee,t or perhaps wing tips, over to the translucent yellow brown, then ambled down to inspect the greys. The ivory black seems to have held no interest and the path doubles back on itself then forks over to make a straight line review of the warms, ending in a flurry in the bottom right corner as she built up the strength to climb up and over the side, leaving tiny amber tracks on just a few of the brushes before disappearing into the studio night.

I am filing this under the category, “At work in the studio”.

At least someone was…

My palette pal.

Anticipation…

Beach Rose

Just that.

I’m waiting…or as Rex and Rocky Horror would say…SHIVERING…with anticipation.

This scraggly corner of the garden is supposed to be all abloom with beach roses…

scraggly

That three week behind thing is messing with my head.

But Celeste appeared outside my easel window last night, right on cue, to cheer me up…

celeste

The dear one is taking on the mighty task of helping me to weed. Love that bunny.

OK…PAINT !!!

May the 4th be with you

Night Games

After an afternoon of conversing, on the studio porch, about all things Star Wars with Steve and Denise, and hearing about their adventures at the convention in Anaheim, I dug into the archives for this painting, and a visit back to the blog entry about the book Visions…Here’s another look…and a link to read the full post…CLICK HERE

So this morning…

I was taking the first look at the newest addition to the studio library,  STAR WARS Art: Visions published by Abrams, (the cheap version). It’s a stellar collection of Star Wars inspired art by contemporary artists.

And it occurred to me that I had done a Star Wars painting too…

Night Games…


Here’s a closer look.

While it wasn’t commissioned by George Lucas, that little McDonald’s Toy version of Yoda has been a constant muse since the very early days of the saga and sits ever vigilant by my easel watching… and whispering…

Kudos to the artists whose work fills the new book…I’ll enjoy dipping into that this winter…

and may the force be with you.