They called for the first frost of the season on wednesday…so Finnegan and I spend the day before putting the garden to bed. We soon had the big bucket filled with peppers and parsley, green tomatoes and beans.
It was sweetly satisfying to pull out all the withering vines and stems which had worked so hard this summer to feed us…and to haul it all over to the new compost bins. We picked a corner to plant the garlic and casted the winter rye seeds over the rest of the beds. Then we fired up the lawn mower for the last time and limped around the yard collecting clippings and chopped leaves to gently cover the soil. But the sweet peas and the nasturtiums refused to give up…so they get to stay a little longer.
The Reality Boost Show is running now until the end of November in Denver. It’s exciting for me to be a part of this exhibit and to be showing among such stellar painters. The gallery website has a show preview … and some nifty little red dots !
Kudos and Congrats go out to one of those stellar artists…Bob Jackson, who has just had a painting purchased by the Brandywine River Museum for their collection. A well deserved honor.
And further congrats to artist friend Steve Mills who was also part of that Brandywine River Museum show, Reality Check (show continues until November 18th). Steve’s paintings have received nods from many of the reviewers and his recent show at Gallery Henoch showcases some outstanding new work.
I’m still reeling from a power packed weekend of art and artists and curators and interviews and new and old friends and a studio filled with all that and then some.
The Brandywine River Museum show was spectacular. The opening was mobbed but there were enough spaces in the crowd to get to meet all of my Realist heroes. The museum has put the paintings up on their website in an online catalogue version. It’s a nice way to have access to the images but I long for the old days when you could buy a nicely bound book to bring home and peruse at your leisure and revisit the images over the years.
With gracious appreciation to Bob Jackson, Pat and I were invited to join the artists and museum staff at a dinner following the reception and a luncheon the next day following a panel discussion. Both opportunities were pure gold and I will live on the fruits of those many conversations for months.
It was also a chance to meet many of the artists with whom I’ll be showing next month at the 1261 Gallery in Denver.
I’ve been painting round the clock to have some new works to show them and this morning the gallery director said yes to them all so …. off to the photographers and the framers went Pat today and I’ll be shipping them out early next week.
Here’s a preview of one of the paintings that will be in that show… Oils on Canvas
They too will have an online version of the show and I’ll post that link when it’s up.
The show is titled, Reality Boost and will be featured in the October issue of American Art Collector Magazine so check your bookstores or mailboxes for that…
and….
stay tuned for an artist’s profile on yours truly that will appear in the AAC Mag sometime in the near future… Contributing author, curator and all around man of the arts…John O’Hern… was in town for the Brandywine show and spent the rest of the weekend visiting here in the studio and interviewed me for his upcoming article. It was a once in a lifetime experience to share our space with him and the gift of so much of his time, depth of knowledge, and rapier like wit and charm.
John’s genius is well documented in the years of Re-presenting Realism series of shows which he curated while leading the Arnot Art Museum in Elmira, NY. But it is perhaps his current creative incarnation as a freelance curator, writer and consultant that may leave a more indelible mark on the artworld.
His most recent work was to collaborate with EVOKE Contemporary Gallery in Santa Fe and curate the show…Re-presenting the Nude. You can view their online catalogue version by clicking here. It’s a powerful collection of work and I’ve been spinning off of the catalogue to research artist after artist whose work he has now introduced me to.
Spinning is indeed the operative word for my head right now…
Add to all of the above a stellar week of sales at the Granary Gallery and we are holding on tight to this wave of positive energy flowing around us… it’s certainly nice to have good things to report on and we’re not taking one second of it for granted.
Now it’s back to the easel for me… and you all get out and take a walk in this crisp clean air !
After a stressful and busy month I am sooooo looking forward to this weekend. Some of my most favorite living artists are being featured in a show at the Brandywine River Museum which opens on friday night for members and saturday for the public.
Bob Jackson has been working tirelessly to help pull the show and the artists to the forefront and the museum is hosting a panel discussion with the artists on saturday. His painting Target the Artist, 2009 Oil on Linen, seen below, is just one of his works that will be shown. The list of other artists is a who’s who of the top realists working today in this country. I encourage everyone to try and get to see the show and my congratulations go out to the museum and curator Audrey Lewis for bringing these works together in such a fine venue.
Congrats Bob, we can’t wait to raise a toast to your success tomorrow night !
Take full advantage of nature’s drying oven and….make panels !
The studio yard doubles as workshop in order to get a jumpstart on a batch of smaller panels. Day one – Dibond cut to size. Day two – Portrait grade cotton canvas wrapped and adhered with acrylic matte gel. Day three (morning) – Call Pat on her way home from market and ask her to detour to pick up some Liquitex acrylic gesso… use plastic putty knife to paint backside of panels. Day Three (afternoon) – use same putty knife to paint front side of panels. Day Four (today) – second coat on front with Liquitex.
Let the sun do its thing today and they will be ready tomorrow for the first coat of ArtBoard Gesso. I’ve written about it before when first trying it out and after months of working with it…it’s become my gesso of choice. The beautiful chalky surface is easily and quickly worked into a smooth paste using a fine sanding sponge and a little bit of water. I can control the texture and even when it’s glassy smooth there is still plenty of tooth to hold the first coat of oils. It is pricey enough that it would be wasted on the primer coats, but well worth the expense for the finished product.
I’ve got two more shows this year and want to have new works in both so there is no down time in the studio for this artist. I’ll be posting the expanded exhibition schedule soon…but in the meantime mark your calendar for these two dates…
Please excuse the mess…My apprentice and I are putting the finishing touches on some upgrades to the website. The big summer show is a good opportunity to refresh and reconnect with patrons and friends and the website is the focus for the launch of the new paintings….soooo it’s time for a mini makeover.
Most of the improvements are happening in the background, thanks to my webmaster Ross ! He’s making it more user friendly for me to load images and select options. It’s making my job so much easier in this season of deadlines. I’ve added a new look to the boring lines of type that provide links to and fro within the site, and we are including some video and revamping a new studio tour…coming soon !
This week it’s all about the show. As of yesterday afternoon all of the paintings are back here in the studio. Half of them are framed and half…not. There are painters notes to be written, files from the photographer to be cleaned up and sized for the website and the gallery’s use, art supplies and equipment to be packed…and oh yeah…the trailer vent which failed and had to be ripped out and sent back to the factory…ugh…has been replaced with a new one which arrived yesterday…in the pouring rain…so that has to be reinstalled before any of these babies get loaded.
But we’re on the positive side of this adventure and …all shall be well.
New paintings will be launched on the website on Saturday…I hope !
There was a major fire in the fishing village of Menemsha yesterday. The coast guard boathouse and several docks burned down to the waterline. It happened quickly and as of this morning there are no reports of major injuries. The other miracle of this story is that the wind was blowing out to sea. Within a few feet of the burning structure on the inland side are the historic fishing shacks that line the basin. They are bare wooden shacks, many of which are simply standing wooden tinderboxes…and most of which are working boathouses for the few remaining commercial fishermen on the island. Had the wind turned, they all would have been gone and with them the history and charm of that tiny island village.
There are reports of bravery this morning of fisherman who towed flaming but untethered boats out of danger and away from the gas station on the other side of the harbor, and firefighters who managed to control and contain the blaze, and townspeople who set up watering and cooling stations and helped to clear the roads for emergency vehicles.
This is the Vineyard. They know how to take care of each other.
Shortly after the fire began there were reports filtering onto Facebook and via local TV stations. Pat got the news and came over to the studio to let me know. Earlier that morning we had picked up the big paintings for this summer’s show from the photographer and I was in the process of framing this…
For most of the winter the shacks and boats and birds and scenery of Menemsha were my companions as I took care to faithfully render the rigging and shingles and horizon full of houses.
Like many generations of artists, I have been drawn to the historic charm and beauty of the fishing village. My own tastes tend to run toward the somewhat grittier side of the working aspects of the place. The way the detritis of the commercial fishermen, their boats and gear and comings and goings, make for a constantly evolving composition. Lobster pots and long lines, bouys and traps, pulpits and netting all get tossed around by the wind, the tides and the human hands that haul them to bring in the catch of the day.
And if you hang around long enough, and show up when the tourists have left for the day…or the season… the light that is so strong and ever changing on that island will reveal hidden treasures of beauty. For the last couple years I have concentrated on trying to capture some of what I see there and have used the challenge of the large canvas to find my way into the corners, behind the boathouses, and between the shadows of Menemsha.
As I look back now, the focus has been pulling outward…
from the closeup of the swordfishing troller Strider’s Surrender…
to the larger view of the boats and shacks Out Back O’ The Galley…
and opening wide up to the basin as seen from the top of Crick Hill just after dawn on a late October morning…
And in all of those paintings the Coastguard Boathouse can be seen. At first just a hint of the end of the dock to the left of the Strider. Then a sliver of white with the famous red shingled roof at the end of the road to the left of the big shack Out back of the Galley.
And this year, sadly the final portrait… it is the first building to catch the full morning sun at the far right of the painting and, weighed down by the gaggle of seabirds, it serves as an anchor.
The second in the series of traveling summer shows is opening this sunday at the Granary Gallery. The theme continues with…Vegetable…
My entry is titled Heirlooms and features some heirlooms from our dear friend Polly Mienelt who graced this planet and the island of Martha’s Vineyard for 95 years. Her husband Ted gave me that photo of her making a daisy chain and a collection of her handkerchiefs. The rest are heirlooms of a different sort that have found their way into my keeping…and the tomato…was delicious !
