When I settle in to work on a big painting my focus narrows, the creative energy tightens, and all the weeks of slogging through pondering compositional elements and deciding what to keep in and what to leave out, of sketching and panel prepping, and of reworking those sketches and printing out piles of detail reference photos…it all reaches a crescendo and, like the stretching of a rubber band, it suddenly snaps ! …and the first brushes hit the canvas. So it was, all that creative momentum strung taut, when I began the large painting, Severe Clear, for this summer’s Granary Gallery show.
But now, some 300 easel hours later, I am looking back and see, on my camera’s photo stream, that there were some wonderful moments in the spaces between all those long days of lifting brushes. When I paid homage to my most favorite springtime rituals. When I literally stopped to smell the roses, and to enjoy the first of the fiddleheads, and the first grilled pizza of the season, the annual pilgrimage to the Sheep and Wool Festival, to sit of an afternoon in the studio garden with loving family, and to enjoy this wonderful life we have together.
I’ll be telling you about the rest of the project, of which this painting is a keystone work, in little bit, a series of paintings which feature a Marine Hospital on Martha’s Vineyard that is about to open a new chapter in its historic life, but in the meantime…here’s a sneak peak at the big one, Severe Clear, and some of the studio highlights experienced along the way…
And now, I give you… Severe Clear