In the spring,
at the end of the day,
you should smell like dirt.
Margaret Atwood
Print available for sale in my Etsy Shop…click here to browse.
In the spring,
at the end of the day,
you should smell like dirt.
Margaret Atwood
Print available for sale in my Etsy Shop…click here to browse.
It’s a beautiful day for a birthday.
Friends have been checking in and the cake is out of the oven. A nice morning sitting in the sun in the garden looking for signs of spring and catching up with an old pal. Might even get a little painting done before the day is out but mostly I’m just enjoying the peace and love the this stage of life is bringing and the great fortunes of good friends.
Another passage of sorts is being played out on the island and our long loved refuge and retreat, Camp Sunrise, is finally facing the ravages of mother nature.
Here’s a painting of the bluff in front of camp from about 2003… and here is a photo of it now…
We’ve all known this day was coming. And I am forever grateful for the decades of opportunities to sit on this very porch and ponder the sea. As well as the gift of being able to chronicle some of its corners and quirks and patina in the paintings over the years.
But now it is time to say goodbye. As you can read in the article in the MV Gazette, http://www.mvgazette.com/news/2013/04/04/second-stonewall-beach-home-teetering-cliff-must-be-moved
the house is now done. The main Camp house will be demolished…I can barely stand to write that…but the garage,
and bunkhouse,
will be moved in tact out to the back of the property…
way out to where that stone wall stands.
So I will take the lessons from this sunny spring day and look forward and ahead to many more years of walking this earth, and what’s left of this bluff and be grateful for each one of the flowers along the way.
7th Inning Stretch

I love listening to baseball games on the radio
and when I lived in Watertown Square, back in the 80’s,
I would sit on my fire escape overlooking the 7-eleven and the front steps of the catholic church beyond and tune in the Sox and work on the weekly crossword puzzle,
while watching the woman’s softball league practice in the park across the street.
When I was a much younger girl I played baseball with my friends. My brother Rob was a first class pitcher but he threw the ball way too hard for me. So I moved on down the line of brothers to Scott.
The two of us would play catch in the street out front of our home in Swarthmore for hours after school. I was learning Russian at the time and with each toss I would teach him a new word.
I still have my mitt, and the last time his son Neill visited the studio we got it out, and the old baseball which bears the signatures of friends along the way, and played catch in the yard.
My arm ached for days but the smile lingered in my heart for weeks.
That’s my old bat and glove in the painting. You can just make out the peace sign I taped onto it.
It was the 70’s after all.
But what is missing from the final composition is Gully whose nose was in my lap each time I ran from the camera to the chair to outrun the self-timer. Boy was she pining for those cracker jacks. I almost painted her in…but … the closest she’s ever come to a baseball was chewing off its cover…
or to ironing for that matter….
when, as a puppy, she would curl up in the wicker basket and wait for…
the 7th inning stretch.
is flying out the studio door and across the pond to Switzerland today !
to Herself !!!
This weekend we celebrate the 70th anniversary of the birth of this wonderful lady. There will be much partying and dancing and laughing and hugging and storytelling and more dancing. But then that pretty much describes every day with Miss Pat. Her spirit and spunk and giant heart are stronger for her 70 years of living but the smile behind those eyes still sparkles with youthful exuberance.
She makes every part of every day better and I am going to have to hold on tight as she leaps forward into this next decade.
You’ve got all my heart babe, consider yourself loved and
There’s a nice review of Gallery 1261 and their current Contemporary Realism Show featured in Fine Art Connoisseur…Click Here to View
Here’s a look at the process…
Having come a tad late to the painting party my process and palette have evolved from a rather spotty beginning. Well over two decades passed between those mid-70’s intro to color classes in college and the decision to paint full time at the beginning of this century.
Today I use a pile of disposable waxy palette sheets tucked into an old plastic watercolor box. It thoroughly offends my aesthetic senses but it does the job nicely when it comes to the daily rituals of setup and cleanup.
I have six drawers full of oil paint tubes. Most of them are Old Holland colors but along the way I have tried many others and if it gets reordered once…it’s a favorite. The main players change depending on the subject matter but for the most part the palette is arranged chromographically (a word ?) by hue.
The medium I use is Fine Detail Liquin and I use so little of it that even the smallest caviar jar dries out before it is emptied. (Notice how I dropped that fancy culinary delectable in there ?)
That tiny jar along with two former artichoke jars half full of odorless turp sit next to the palette and the brushes…well they surround.
A while back I took some progressive shots of the palette as I worked through a painting for the Granary Gallery show this summer. I typically use one palette for the entire painting unless I’m working on a mammoth panel and then I go through many palette changes. For this painting, I kept the same one going and you will be able to see subtle changes from day to day. I also took photos of the panel at the end of each day for comparison.
So here’s a look at the road to… The Caretaker