Plaaaaaaay Ball

7th Inning Stretch

7th Inning Stretch

pnotes_logo_imagefrom the Painter’s Notes…
I love listening to baseball games on the radio
and when I lived in Watertown Square, back in the 80’s,
I would sit on my fire escape overlooking the 7-eleven and the front steps of the catholic church beyond and tune in the Sox and work on the weekly crossword puzzle,
while watching the woman’s softball league practice in the park across the street.
When I was a much younger girl I played baseball with my friends. My brother Rob was a first class pitcher but he threw the ball way too hard for me. So I moved on down the line of brothers to Scott.
The two of us would play catch in the street out front of our home in Swarthmore for hours after school. I was learning Russian at the time and with each toss I would teach him a new word.
I still have my mitt, and the last time his son Neill visited the studio we got it out, and the old baseball which bears the signatures of friends along the way, and played catch in the yard.
My arm ached for days but the smile lingered in my heart for weeks.
That’s my old bat and glove in the painting. You can just make out the peace sign I taped onto it.
It was the 70’s after all.
But what is missing from the final composition is Gully whose nose was in my lap each time I ran from the camera to the chair to outrun the self-timer. Boy was she pining for those cracker jacks. I almost painted her in…but … the closest she’s ever come to a baseball was chewing off its cover…
or to ironing for that matter….
when, as a puppy, she would curl up in the wicker basket and wait for…
the 7th inning stretch.

Palette Progression

Here’s a look at the process…

Having come a tad late to the painting party my process and palette have evolved from a rather spotty beginning. Well over two decades passed between those mid-70’s intro to color classes in college and the decision to paint full time at the beginning of this century.
Today I use a pile of disposable waxy palette sheets tucked into an old plastic watercolor box. It thoroughly offends my aesthetic senses but it does the job nicely when it comes to the daily rituals of setup and cleanup.
I have six drawers full of oil paint tubes. Most of them are Old Holland colors but along the way I have tried many others and if it gets reordered once…it’s a favorite. The main players change depending on the subject matter but for the most part the palette is arranged chromographically (a word ?) by hue.
The medium I use is Fine Detail Liquin and I use so little of it that even the smallest caviar jar dries out before it is emptied. (Notice how I dropped that fancy culinary delectable in there ?)
That tiny jar along with two former artichoke jars half full of odorless turp sit next to the palette and the brushes…well they surround.

A while back I took some progressive shots of the palette as I worked through a painting for the Granary Gallery show this summer. I typically use one palette for the entire painting unless I’m working on a mammoth panel and then I go through many palette changes. For this painting, I kept the same one going and you will be able to see subtle changes from day to day. I also took photos of the panel at the end of each day for comparison.

So here’s a look at the road to… The Caretaker

 

Inspirational

After removing a finished painting from the easel the other day I found this note hiding next to a well splattered photo of Herself…

Which made me take a closer look at what else is taped to my easel…

This one below is a bit obscured from a decade of wiping my brushes…”There’s a crack in everything. That’s how the light gets in.” from Leonard Cohen

And I love the extra notes reminding me to plant garlic in November and to do a painting of my spoon carving. Both of which I did.

And two favorite pics of our sweet second Berners, Gulliver, enjoying two spots she used to love on the Vineyard. She’s there at her post, by my side, watching me every day.

Just some of the things that inspire me… so what’s on your easel ?

 

 

Credit where credit is due…

We had a little helper here last week.

Zoe is now 2 and a half and is the sharpest crayon in the deck. She is also big enough to pull her own weight…as well as a wagon full of sticks…and Mima put her to work in the studio as my apprentice.

I had developed this painting up to the shadow stage and so Zoe mixed up some ultramarine violet and paynes grey … and got right down to it.

After a long day in the studio she retired to the log cabin to watch some flicks with Gran and Bear Bear…

and I somehow managed to finish the painting on my own…

but I do believe in giving credit where it is due…soooo…

if you look closely…there is a tiny little Z (she’s not got the hang of the umlaut yet) that will live forever on the signature of this painting. You made Mima proud you special little girl.

Ironing…out ?

I wasn’t paying attention … and that always spells trouble.
So when Zoe and I were making breakfast we heard the terrible news that…the IRON has been sacked ! USA reports that the people of the world have voted to remove the tiny token of the Iron from their Monopoly game. And replace it with … A CAT ? Really ?

Now this makes me sad. I am a lover of irons, and ironing boards, and…well…ironing. Such a meditative task and so peaceful and productive and now, I guess, out of step with the times.

Well, I offer up a few of my favorite paintings as an homage to a simpler, happier and more contemplative time when a warm whisper of steam would rise from the slowly drawn linen newly pressed linen…

Winter Watering

Yes, when the winter hibernation is in full swing, production inside the studio soars. But, at least in my case, this is primarily due to the fact that my garden is sleeping. When the sun shines…I would rather be digging in the dirt.

This morning the sun is brilliant. Air cleared out by last nights storm. Creek roaring at full throttle. And my watering buckets are full …

  

So I lifted the flap on my little greenhouse and gave the tenders a drink.

It does an artist’s heart good to see these beautiful greens in the month of January and, with the seed catalogues piling up, the big greenhouse will soon be ready for action… 

 

OK, enough of that garden talk. Time to get back to the easel. But…there will be a tiny salad on my lunch table.

Midwinter Details

 In the early days of January, in the deep midwinter studio, when I sit down with the piles of sketchbooks and sort throught the long lists of painting ideas… I feel unfettered. Before the filters of deadlines and salability and subjectable subject choices begin to weigh me down… I take chances. I choose challenges. I tease the muses who whisper, “keep it simple” and  “No not THAT nightgown”.

I have spent the last few weeks wading in that most wonderful of seas…the sea of details. Frolicking with the tiniest brushes. Taking extra days to glaze down and bring back up entire areas of light only to glaze them back down again and slowly, slowly refine. I’ve taunted and tweaked compositions and twisted ribbons and fringes in the wind.

Here is a sneak peak of the first of these, The Mender…

It will appear in Denver in March at the Gallery 1261 Contemporary Realism Show. It’s companion, The Tinker, was finished last night and you will have to wait a bit for that pic but it shares a few elements with it’s Mender…a rug, a teacup, a pair of spectacles…and the number three.

Now, all the wheels of creativity turn to…the island. The trove of images which I’ve stored up from Martha’s Vineyard is indeed full of treasure. And before those afore mentioned weighty filters and deadlines begin to creep in…I will let only the carefree muses in from the cold. The ones who say, “Go for it” and “If not now, when”, and let them sit alongside while I turn the pages of this sketchbook…

and decide what to paint next.