Abstract teaching…

Here’s a response to the last blog post about the painting Finding Abstraction which  I got from Cori, the daughter of my friend Saren and someone who does that noblest of professions for a living…she teaches children about art !

(Cori is the hard working woman at the right, alongside her mom, on the day that the entire Zink family showed up to help us clean up after the flood.)

Hi
Heather,

Love Finding Abstraction!  My 4th graders just read Jackson
in Action in their new reading series.  I just finished a lesson with them
using the children’s book Action Jackson and then let them do their own
Pollock (sometimes I’m down right nuts).  I did not manage the consistency very
well and most of the paintings look like a mess but they had a blast.  I think
they had almost as much fun crawling around with a sponge to clean the floor and
chairs as they did making the mess.  And somehow I managed to not lose one pair
of pants to paint splatters!!!  Their reading about Romare Bearden now – collage
is next.  I’m loving this new reading series.

C.  🙂

I just love Cori’s creative way of putting lessons into action. My brushes are raised to her !

PS – today she sent along a couple examples of the student’s artwork.

They both have nailed the strength of the linear gestures and the resonance of vivid color. Wicked cool as they say where I’m from. These guys are from the Paxtang Elementary School.

J Mattey's Pollock inspired painting

Artwork by J. Mattey

Jeffery Gleiter's Pollock inspired painting

And here’s one by Jeffery Gleiter

Finding Abstraction

The Current show at Gallery 1261 features this little play on the theme… Finding Abstraction

The set up for this was crazy. I wanted to use a real Jackson Pollock painting as reference and found one in my old college Art History text book which I scanned and printed out so I could enlarge it and make it look like a postcard with torn edges. Then Pat found me an old paint can from the stash in the garage and after I rigged them up I taped a canvas to an old fedex box and started to drip.

I remembered the scene in the movie Pollock where Ed Harris takes house paint and starts to drip it on the floor. Turns out there is a learning curve which involves refining the dilution of the paint and the movement of the brushwork. More of a slow dripline than a splatter. I was aiming for verisimilitude but my need for immediate gratification left me impatient with the process. Yes, I could fake it… but I eventually found the right consistency and made up four jars of color and then I dribbled one layer at a time with the panel flat on the floor and walked away while it dried (that was the hard part). Since I was using oil paint instead of acrylic, it had to dry completely between colors or else I ended up with an oily blooming mess.

Then there was the fun of trying to get the magnifying glass to stay on that teacup.

I was just about finished with the painting when, sitting at my easel, I felt everything start to shake. When you work with a Bernese Mt. Dog at your feet this occasionally happens so I yelled at Finn to stop. It kept on shaking so I turned around and yelled at her again…but she was asleep. Then my phone beeped and I read the breaking news that there was an earthquake in DC. Yep, that felt about right.

I looked around the studio and a couple of the paintings were hanging off kilter but the only real damage was to this still life… the postcard had fallen off of the brush that I had rigged to hold it up (I did fake that nail and tile background).

So there’s the rest of the story as they say… stop by if you’re in Denver and check it out.

Working on a theme…

Last year I started a series of …well series paintings.

I wanted to work on themes and explore them across several different compositions. There were more ideas than I had time to create and I’ve learned that there is a time, and a season as it were, for each painting. So, as the crisp fall air brings the colors alive, I have been studying apples… anew.

The October before last  I spent a day with our friend Ted in the Tiasquam orchards in West Tisbury…

There are dozens of good painting ideas from that modeling session and I decided to elaborate on the “theme” of apple picking.  Though I started the series last year with some sketches …

and then this painting from my studio yard…

Like I said earlier… last year life took some wicked wild turns … but life ebbs and marches on…and I’m now reaching back and pulling on the thread that started the theme.

I don’t usually put photos of unvarnished paintings up on the web but the new iphone has a good enough camera to  give you a decent representation of what is fresh off the easel.

This painting was inspired by a quote from  NC Wyeth, “I have all this and more, yet how I would like to relax; to be content with a wheelbarrow, a rake, an apple basket, a pipe.” He wrote that in a letter dated September 19, 1910. A hundred years later and that sentiment still resonates.

And what to do with all those apples ?

Well that’s the next painting in the series… Skillet Apple Pie.

You won’t be able to get much out of this shot of the still life set up…because I decided to change it up a bit after moving to the easel…but here’s a peak into the early stages of the creative process…

I’ve gotten this far…

And yes, it’s all about the butter !

Stay tuned…

Sunrise Panel

Sun

Sunshine

Lots of sunshine…

that’s what we’ve had for a whole week and it is healing the souls of flood weary citizens of the commonwealth.

So this morning I harnessed the power of those first rays as they blast through the foggy forest.

 

Yes, that’s a panel…a blank canvas as it were… which means that YES I am going to be painting again…any minute now. And yes, that’s an apple basket and a Stayman I think on the panel. Last night I took a previousely prepared panel and slathered on a final coat of the primo gesso ( Artboards Panel Gesso ) and this morning it was ready for the gentle wet-sanding which leaves that ultra smooth finish that I crave. You need to find a source of strong raking light to dance across the panel so the otherwise invisible imperfections can be spotted and sanded out. Today I let mother nature be the lightbulb as well as the drying source.

I have come to understand, though not always appreciate, that each painting has its own agenda, its own time to be rendered. I tried several times last fall, and then again in the spring, to work on the apple picking series which I had sketched out and planned to include in this year’s Granary show. But it wasn’t in the cards. Not its time… until now. It made me wait until the crisp autumn air sent me running for the first sweatshirt of the season…and the local orchard was announcing that it was time for pick-your-own…and the saigon cinnamon jar tumbled off the shelf and into my great grandmother’s dough bowl.

OK got it. I dug out the NC Wyeth quote which inspired the series when I read it in his letters last winter, ” I have all this and more, yet how I would like to relax; to be content with a wheelbarrow, a rake, an apple basket, a pipe.” And I sent Pat to her favorite farm stand to beg for a basket and Finnegan and I drove over to the orchard and picked a bushel of the finest looking apples…which, she reports, tasted pretty good too. Then we took a trip to Saren’s house to put the pieces of her old wooden wheelbarrow in the truck and bring it back to the studio for the setup.

With a bit of repair work it was strong enough to hold the apple basket and the rake and the pipe. So here’s a rare look at the first stage of the composition…

I say rare because, like any good magician, you risk letting down your audience if they see what goes on behind the curtain. I’m just so excited to be working at my day job again that I’m throwing open all the windows and doors.

Starting off the day with panel making at dawn… I can’t wait to see what other wonders await…

Take a big bite out of your day !

Fall Line Up

It’s time to move on to something artsy and not covered in mud…so I’d like to welcome you to the fall line up of shows which are going to be taking place in Denver, Co.

                      Gallery 1261     

October – Contemporary Realism

The Beginner     Oil on Panel          20 x 20

The Big Dipper             Oil on Panel       16 x 20

The Organist’s Daughter    Oil on Panel   24 x 36

November – Finding Abstraction 

                                              Brushwork    Oil on Panel     30 x 15

                                                Finding Abstraction      Oil on Panel    24 x 18

                                                                   Suspended   Oil on Panel    20 x 16

December – Small Works Show…..   stay tuned !

 

Actual Size

Well I’ve been back at work in the studio now for a couple weeks and having great fun playing around with teacups and pencils and rocks, brushes and barbie dolls.  But I’ve been woefully remiss in writing blog entries…mostly because I returned from the Vineyard show renewed and ready to hit the easel and have beenmuch happier sitting in that chair  than at this computer. So there ya go.

But the other night, when I finally put down the brushes and left the studio to walk over to the log cabin…it was DARK ! Where did that summer go ? I was nestled in the air conditioned studio when the heat wave broke so I’ve not been paying attention to the world outside and the whispers of a new season approaching caught me off guard. I’m on it now though. Finnegan and I can walk a little further in the early morning as the temps cool down. Pat and I can sit out in the studio yard at night and not be chewed to bits by bugs. I actually opened a window the other day.  Can that be the sound of  Zola’s school bus I hear in the distance ?

Anyway, life goes on and quite merrily here by the Little Conewago Creek, and I hope the last days of summer are full of fun for you all.

Oh yeah, I almost forgot.

What brought me to the computer chair today is to let you all know that another Granary Gallery show is happening this weekend. A theme show that artists from all three of their island galleries were invited to participate in. The theme this year…ACTUAL SIZE.

Here’s my take on it… titled, ” Objects in the mirror are closer than they appear. ”

It’s actually the shelf right behind my easel chair…with a bit of artistic license…or simply just wishful thinking… in the mirror.

Anyway, as my friend Ted says… it was sorta fun.

Back to work for me… stay frosty out there !

Sizzling Summer Shows

It’s about time we talk about some artwork around here…

There are three big summer shows opening in the next two months and here are some previews…

Gallery 1261 – Group Exhibition

Opens June 17th in Denver…click here to see the full lineup.

Pitted Against Time

12″ x 14″

EVOKE Gallery   – Santa Fe, NM  

 

   I’m very excited to have two pieces in their upcoming group show…

Decadence – curated by John O’Hern

 Show opens 1 July 5-7pmclick here for more information.

One Night Stand

36″ x 24″

AND….the biggest show of all….

GRANARY GALLERY  – Group show

Show opens Sunday 17 July and we will be there so stop on by and say hello…

I’ll be posting all the new work soon so stay tuned…but meanwhile here’s a sneak peek…

The Basket Weaver

12″ x 14″

 

Paying it Forward

One of the best parts of having a gallery represent an artist’s work is the unexpected connections that the paintings can make with people you have never met. The Granary Gallery  (scroll down to the bottom of this linked page to view a video of a summer art opening) on Martha’s Vineyard is in an old red barn in the center of the island and, with it’s unique low keyed old corner store gathering place kind of feel, it is a year round destination for everyone from tourists to school children. Whether you’re an art lover or just along for the ride there is something to catch just about everyone’s fancy.

Occasionally I’ll hear from someone who has made their way there and come across my work. I love hearing the stories and links to their common ground. One such connection was made a while back with a woman who was pondering what to do with her need to create and we corresponded about where she was on that journey…ready to take a big step.

She wrote a lovely follow-up note after reading last week’s blog and with her permission I want to share it with you…it’s always a boost to hear when an artist’s hard work pays off. I’m so proud of her…

From Tina Hickman…

Hi Heather – so happy to see you back online as I had been hoping all was well!  Not sure if you remember, but I’m the woman from NH who left you a note at the Granary, telling you how much my son and I enjoyed your work.  Since then I’ve been in touch a few times via email – telling you about my own journey; pursuing illustration for children’s books.  Early next month I’ll be recieving my certificate from RISD in Children’s Book Illustration (after a looong 3 years!), but I want to tell you THANK YOU. 

You had written a bit on month about Great Women Artists, what it takes to be a woman, and the challenges of focus, and time, and being selfish. To make a long story short, I took my small talents, and made a dedicated place for me to work (my studio instead of my dining room table), and among other small changes I became “selfish” with my time, taking my time and focusing, and felt good about it.  The results of these changes were my increased happiness and confidence in my work – but the results were also validated this weekend at the New England Regional Society of Children’s Book Writers and Illustrators Conference – were I took home 3rd place in the published division for my Book Cover Illustration for “Island od Blyue Dolphins”.  I am THRILLED  – and I owe you a huge thank you for helping me to see. 

Best of luck with all you do – always –
Tina

www.kjhickman.com