The Mystery Unravels…

Well, tomorrow at this time we will be pulling into Mystic for our first stop on the way to the island. And so it is fitting to use this last blog post before the show to catch you up on the investigation into that carving on the spinning wheel at the Mystic Seaport Museum.

THIS JUST IN…

Remember this painting…

The Spinning Loft

And do you remember the detail shot of the carving on this large wheel in the foreground

Well, Follansbee and Co have uncovered some information that brings us closer to solving the riddle of who might have carved it and what building would it have been.

I want to introduce you to Paula Marcoux…her delicious website is here…click.

PAULA

Marcoux

Writer
Speaker
Consultant
teacher

I’m a food historian who consults with museums, film producers, publishers, and individuals.

My training is in archaeology and cooking, and I enjoy applying the knowledge of past cooks and artisans to today’s food experience.

My work is exploring bygone pathways of food history and culture, through building, experimenting, playing, and eating. 

I’ve known of her through Peter, and following her on social media, but we haven’t yet met.

So Peter reaches out to his Plymouth pals and they do what they do best…research stuff.
I’m going to copy the thread of their discoveries here, with permission of the author, and then the caveat that she made me promise to include will be there at the end. Clearly these people are driven by brilliant minds, and their super powers are curiosity.

From Peter then Paula,

PF -So the question is:
Is the graffiti scratched into this equipment at Mystic, originally from Cordage park, real? Is that a building somewhere around Cordage?

Who would know?

PM -I will want to read her blog later carefully—but yes what mystic exhibits is one third of Plymouth Cordage’s rope walk.

PM -The builidng in the graffiti (which IS fascinating) looks to be a wharfside structure, right? The ell to the right is on pilings over the water. Plymouth Cordage was situated to take advantage of Plymouth’s best natural channel—a piece of relatively navigable water called the Town Guzzle. Certainly long gone by the time of this image around 1900:\https://digital.hagley.org/AVD_1982_231_016

If you look at this map, you can see how the walk was situated….(here’s a clip) I would guess that the building pictured would be between the place it was carved in the ropewalk building and the harbor.

There are other 19th c images I’ll poke around for later

Then Peter assumes he has satisfied my tasking him to get the skinny…

PF – (satisfied) my debt to Heather that is…god knows what I owe PM now…

Then…

PM – Also January 25, 1867 — the storehouse at the Cordage Works was “blown down” in a gale and a lot of damage was done to wharves…. that could have been the end of that building (WT Davis, Memories, p 221) 

And again a day later…

PM – In its earliest iteration the Cordage consisted of a rope-walk, wharf, storehouse and other buildings (incorporated August 1824). 

Huge expansions came  by the late 30s, with the adoption of steam power, but the walk itself might function the same regardless of power source.
I can see from the same source that two Carrs (Andrew and Patrick) had been working for the Cordage for decades by 1900 —then both around middleaged and having started working there young — Patrick at 9). 
My money that a little more research will suggest their father, Belfast emigrant William Thomas Carr, produced these graffiti after lunch on August 4th, 1851, while his foreman was out sick with “a summer complaint, brought on by eating blackberries and cream”. Okay, we probably won’t get to that satisfying a level of detail. But the first two paragraphs are documented at least.
And quickly after I asked if I could share this here…

PM –

Sure, Heather, with the proviso that it is very “tossed-off” and incomplete—I should be working on my own problems, but I get so sucked into these kinds of questions (in case that’s not apparent) but I’m always surprised when others are interested. And although I was joking about the elder Mr. Carr from Belfast, I would not be shocked if I could get a little further with his identity—the Cordage was great at record-keeping. In it’s first fifty years at least it was the very model of a paternalistic enterprise — its founder had very high ideals and took a distinct interest in the welfare of the workers and their families. 

Here’s the bibliography so far. (There are lots more cordage publications, too, that I haven’t looked into yet.):

The Plymouth Cordage Company; Proceedings at Its Seventy-fifth Anniversary

By Plymouth Cordage Company (1900)

 

Plymouth Memories of an Octogenarian

By William Thomas Davis

 

History of the Town of Plymouth

By James Thacher

Now wasn’t that cool to learn about ?
I know, me too, I love the library at our fingertips time we live in.

And I love that all these people are making their livings today by dabbling in centuries old traditions and crafts.

If you want to learn more about such endeavors,
I encourage you to start by doing some of you own research,
and I’ll make it really easy for you…
Visit their website Plymouth Craft…by clicking here.

Good people
doing meaningful work

and teaching others
and passing it on.
It takes a village and I’m grateful to Paula for taking the time to provide us with some answers. When I get home, I’m going to follow the breadcrumbs she’s left.
Thanks to all of you for tuning in.
And thanks to  Liquid Web 
for making this blog work like lightening.
Now that this thing can keep up with me I will be posting more regularly.
Stay frosty out there and I’ll let you know when the brushes are once again…flying.

The Spinning Loft

The Spinning Loft  –  30 x 40

This one got personal.
I am a spinner.

We have one more stop to make in Mystic.
A short walk from the Morgan is a lonnnnnng building

And this is the Spinning Loft,
below which is the Ropewalk at the Mystic Seaport Museum.
There is a short video ...click here...which shows a bit of what this room was all about,
and you can read more of it’s history there as well.

But it really is worth a visit to let all your senses dive into this space.
Resonant with the century old aromas of hemp and salt air,
the velvety soft patine of well worn wooden surfaces,
the sensuous flow of the carded fiber,
it positively sings history.

The perspective isn’t skewed, this building is really 250 ft long,
and it was only one section of the original Plymouth Cordage Company,
which operated until the mid-1900’s and was then moved to the Mystic village.

Here are some close up shots to lure you into the lusciousness of the fibers…

and the long walk back in technology…

And there’s a mystery…

As is so often the case,
when I returned from one of several visits to the museum
and reviewed the thousands of reference photos,
I spied this carving on the giant spinning wheel.

Those frisky muses.

Round about my birthday,
the Follansbee came through on his trek to teach some woodworking down south,
and, being a carver of woody things,
I showed him this part of the painting,
whereupon he said that Plymouth Cordage used to be a company town built around the rope making industry.

I went down a serious rabbit hole after googling it.
I’ll leave those historic details dangling for anyone interested in doing their own research,
but the point here is that many of the old buildings remain in town.

These Painter’s Notes will serve as a reminder to Peter that he said he would look into seeing if anyone in those parts recognizes the building from this carving…
well…from my rendering of the carving.

That should be sorta fun.

For me,
it’s all about the peaceful art…
of spinning.