Postcards from the Ledge -2

The apprentice patiently awaits our next delivery…

I’m a bit behind.
Been putting out insurance fires,
medication issues,
juggling tax documents,
cooking perishables,
and monitoring the stock market.

No, are you kidding
I don’t know squat about the stock market
but apparently I like to watch disasters in the making
or the ticking
I actually gave over dozens of minutes of my precious life
to watching those numbers bounce around in free fall this week.

Mesmerizing, I was interested to learn about the internal brake thing
which automatically stops trading. That stopped my heart when it happened in real time.
And, because we have a tiny little bit of our savings tied up in those numbers some how…

I quickly took the advice of experts…
and snapped right on out of that window.

And went outside.
The distractions and emergency shut downs that have shaken our worlds
have also put me a bit behind in the gardening department.

I keep a running journal to help me remember what to plant and when.
Last year I dug deep, as it were, and invested, with Kory’s help, in building new beds and starting my Ruth Stout Garden, and now I have a journal full of useful information to be going on with.

As we saw in the first ledge post, there was good news to report about the soil under all that hay. Some pics from last season show how I used boxes filled with compost to provide some fertile growing medium while the ground beneath, which had been lawn, was slowly being converted, by the creatures within, to something more conducive to garden ready soil.

Made me happy in this lock downed moment to see all that green again…

At the end of the season we raked all of the remaining organic matter flatish, and made a footpath of wood chips then covered it all with a fresh foot or so of hay.

Where we had compost, roughly chopped up plant material and cardboard…the soil is now beautifully decomposed. There was one area in the back where I only had hay on top of last year’s soil and that is still anaerobic, sticky mud. We’ll see if the potatoes object because I planted some of them in that muck.

Yesterday Herself and Finn and myself enjoyed the ridiculously hot weather…76 degrees…and planted the Greens Bed.

This is what remained from the winter under cover. Beets in the back are probably not going to form but I’ll give them another week. Carrots are in great shape. Spinach which I’ve been enjoying all winter looks better after a heavy cleaning but I’ve got new seeds starting in other beds so this batch, which is very leggy, may be retired.

With 6 typed of lettuce seeds planted and some radishes as well, the whole thing got a blanket thrown over it.

Because…squirrels.

They are just fine as painting models… but seem to be unsatisfied with the sunflower seeds I have been providing them all winter. They found the pea seeds which we had planted on St. Pat’s day and ripped that bed up. So…I threw more seeds in and put up the dreaded tunnel.

Hopefully they will get the message.

In October I noticed they were spending some time in the herb bed. I thought it was to bury nuts but no, they were eating the Chard. Since I had planted that for winter harvest I decided to cover it over. The plants didn’t produce much so I lifted the fleece and let the sun rain down.

The squirrels rejoiced and this is what is left. Eh, it’s time to start new plants anyway.

In that same bed, on the farside, is a magnificent crop of Cress.

It grew uncovered all through our mild winter-that-wasn’t and now it’s feisty and fiery flavor of pepper and spice is a brilliant addition to every dish. Somewhere I read it is one of the most densely vitamin and mineral rich plants. Double the benefits. This is a land cress variety which likes shade. It loves hanging out behind the grape arbor. I’ve got extra seeds if anyone wants to try some.

And so far, the squirrels don’t seem to have cottoned on to this delicacy.

Later on today we will start another flat of the seeds I need to catch up on and some of the hot weather lovers like tomatoes and peppers.

But as for my day job.

Making Art…

I guess it is appropriate to pay homage to some of my more squirrely Muses…

Stay frosty out there everyone…and be kind.

Squirreled Away – 2016

Last year it was the Cardinal,
His Holiness Wolsey
the basher of windows.

This winter,
it was Sir Squirrel,
the chomper of walnuts.

He who kept me company,
through the snowy storms,
perched on the air-conditioning unit,
just outside my easel window,
flaunting his propitious,
hoarding prowess,
and watching.

We watched each other actually.
Watched out for each other may be more accurate.

When we got that Nor’easter,
which dumped 4 feet of fresh snow,
on the already whitened studio yard,
it took me three days to dig out a path
for Finnegan to get to her privy.

I noticed that Sir Sq. had been a no show
and made a wee annex to Finn’s run
from the arbor vitae to his window perch.

The mere work of a teaspoon,
but it sufficed for him to re-surface
and check back in
to make sure I was ok,
and able to lift those tiny brushes
after all that shoveling.

Sitting there,
sporting new pairs
of both snow shoes
and sunglasses,
and chewing
on a particularly prodigious nut,
he must have noticed
I was looking ever so slightly famished, because,
after devouring a full three quarters thereof,
he reached out to offer me a nibble…

See,
that’s what I’m talking about…

it takes a village.

AND…

A Little Night Knitting – 2018

On those long winter nights
alone on an island
pining for her captain

the rhythmic click click clicking
of the long metal needles is heard

as they catch the moon beams
dancing over waves

that somewhere
oceans away

have lapped along the starboard side
of a weathered wooden ship.

As she knits
and purls
and knits
and purls

the tips of those needles
wave a tiny patter of light

a private message
in a language of their own
sweet and sacred semaphore.

Postcards from the Ledge

Well here we are…

In global lockdown…

Living with six feet of separation…
in the hopes of staying on this side of the garden…
which as you can see has just begun…

And potatoes newly nestled in Ruth’s bed…

I’ve been thinking a lot about how lucky I am, as an artist,
to actually enjoy working at home. Social distancing is my norm.
The creative life is not always lived in isolation, but art often begins there.

Making art is about making sense
of the world around us
and within.

The irony is not lost on me in these early days
when artists of all types
are filling the airwaves
with song
and words
and paintings…

Spontaneous acts of generosity
offering touchstones to beauty
portals of peace
that simply reach out to remind us
of the importance
and precious value
of our common human existance…

for free.

When, for the price of a presidential golf trip,
how many schools could bring back the stolen art and music
education to teach new generations
to make that art.

Maybe that will be one new thing that we change
after so much tearing down that is to come.

So, yeah, I feel very lucky to still be able to walk over
from the log cabin each day
and walk around the studio yard with Finn
as the sun rises over the hill
and know that my easel awaits
and the brushes are ready…

I am very scared.
Anxiety and raw fear
blend with the persistent vulnerability of aging
so that those familiar edges
have now become ledges.

But, so far,
the Muses have not wavered.

They greet me at the door.
Remind me of our new family motto…

Tits UP.

So I’m going to join the chorus
and start sending out little postcards
from the studio.

To share some of what is still
so good in our world
some paintings that speak to me of that
and the constant reminder
that the garden gives me
that grace abides.

Winter carrots harvested to make way for spring peas.

Stay safe
Be well
and take care of each other…

AND…

Tits UP !!!

I begin with Skip…Swan Song – An abstract Chilmark Aria

This is Skip.

One of this world’s truly authentic selves.

A person for whom the esthetics of beauty
is the fundamental element of existence.

Someone deeply connected to nature’s expressions,
who finds art and music and dance
vibrating between all living things,
and whose joyful spirit,
when unleashed,
can fill an island with song.

Over a year ago I asked Skip to model for me.
I had some ideas.
Skip had other ideas.

We met and shared some croissants and coffee,
listened to each others’ stories,
talked about art, and Findhorn, and philosophy,
and listened some more.

Then we set out to seek the muses.
Skip pointed me down up-island roads that were hidden from maps,
we stopped for stone walls,
and wildlife,
wildflowers,
and whispers.

There were stories behind every corner,
pebbles on the road, on Skips’ journey,
and a few on mine, and new ones we were creating together.

Skip is a painter.
And one of the things we talked about was
including one of those paintings …in my painting.
We brought it along, and let the muses decide.

We ended up at the bluff, Camp Sunrise.
A melding of sacred spaces.
The morning sun had risen to clear October skies,
and the meadow was just waking up to the light.

This is the part where I get emotional.

Because the morning sessions I spent working with Skip
studying and working,
in that profoundly familiar space,
was the last time I saw the house,
perched on the edge of the planet,
in all her grace and glory,
before they demolished it.

We all knew it was coming.
The time when nature’s pounding would erode the bluff,
wearing away at the land,
until there was no where else for the houses to rest.

In my island time…
which began as the great gift of knowing Lynn Langmuir,
whose generous heart was deeper than the ocean,
and steadier than her beloved stone wall,
that very wall which wanders through this painting…
over the thirty plus years I have been coming to this bluff,
the chicken coop of a farm house,
had twice been moved back from that threatening edge.

It is hard to imagine,
in this painting,
that there is a 40 foot drop from bluff to beach,
just a mere five feet from the edge of her front porch.

And, still, this old Yankee stalwart ship-of-a-shack,
she stood proud,
holding her own,
and by that I mean generations of the Langmuir family,
and the many who were welcomed by them,
into the embrace of this enchanted space.

But the land…ran out.
And so, while the other, more modern structures
of garage and bunkhouse, were able to be moved
out back and beyond the wetlands,
to the farthest section of the parcel,
the bones of this old gal had been deemed too fragile for the move.

You couldn’t tell, from our distant vantage point,
that while Skip and I gamboled among the stones,
and communed with the muses,
the house had been emptied of all its touchstones.

The old wicker woven lounging chair was gone…
the daybeds stripped of their sleep-softened pillows,
kitchen shelves bare of the pastel colored fiesta ware,
paperback mysteries of Riggs and Craig,
no longer insulating the cubby-holed shelves.

Puzzles and kite string, checkers and cribbage…
amber eyed owls who lit up the hearth,
journals of writings from visiting friends,
with new chapters each year for us all to catch up.

New nicks, and old,
from bumps on the bedroom lintel,
where a hundred layers on the yellow painted symbol of a duck…reminding us to.

The tears in each sink from the iron and rust,
the old brown barn coat ever-hanging
on the white wooden hooks behind the green door.

All these objects, and a hundred more …
they have been the keeper of our memories.

The sunny days, the stormy nights,
we grew up in that house,
on the bluff,
as she grew old,
and, in her weathered-shingled way,
became…
the things we are made of.

This painting then,
for the house,
is her swan song.

Skip sings it for us all,
an aria as abstract
as the tapestry of souls
who have ducked to cross her threshold,
and sought refuge in her wings.

In thanks to dear Lynn…
Peace.

Shrimp Mousse Season

Shrimp Bowl  –  2008

“Always approach the shrimp bowl as you own it.”    Mary McGrory

‘Tis the season…of Shrimp Mousse

In the all kitchens of my adulthood
Along the margins of each recipe
Tucked and retucked
inbetween the pages of all the cookbooks
I have written in  tiny script
some words to mark the making
and the maker each time I make my way
back to that particular recipe.

A trail of micro journaled jigsaw pieces
which periodically get reassembled as I return
to refresh the ingredient lists
for old and new favorites.

Yesterday, after chatting with dear Peg
about birds and pity and beaches and pools,
I pulled out the well worn card
with her original instructions
for her shrimp mousse.

It has been updated and upgraded
and tweaked over the years, but the bones
remain strong and the sentiment
has become crystalized.

The first entry I wrote on the card was…

1 Jan 2000 – The world has celebrated.
We made it ! Now for some special treats to start
off the new millenium.

What follows are regular entries just about that time
almost every year with the exception
of the few years interim when I seem to have lost
that original card. I do remember the desperate searching
but it seems that the Muses returned it a few years ago…

22 December 2016 – Thought I had lost this recipe –
but in the wild autumn of home repairs -when both kitchens
had to be redone – it was found. Now we are in the dark ages –
and need some peace.

And here we are… planning on making a double batch I sat
down with all three of the Shrimp Mousse incarnations
and when Herself wandered into the studio kitchen
I was smiling through tears.

Chronicled on that little slip of paper
was celebrating the “first day of full time Artisanship”
The last walk with our Gulliver
and the first snowy Christmas with Finn
and this year’s entry made all the more special
to be able to write that we are all still together
around that kitchen table
a bit gimpier
and slower afoot
and settled deeply
into our seasons
of happiness.

Hello blog readers…

As squalls of snow flurries surround the studio, the artist within is happily ensconced in her hermitage and the brushes are flying. Had a bookend of visits with Peter Follansbee last week so his painting gets the pride of place here today.

I’ve been away from this portal for so many months that there is a towering pile of posts waiting to be written. Look for me to promise a regular flow of entries, but I’d hedge those bets. My energies and attention span tends to be hyper focused at the easel when I return from weeks away.

While the weather freezed me out of the garden, and the darkness deepens into the solstice, the dust collects on every other corner of the studio except where I and my brushes are at work.

But I’ve taken a quick break to visit the office today because I need to give you a heads up about the prints offered here on my site.

Due to the increased costs of paper and ink the price of prints will be following suit.

Figure I would return the kindness of your years of support by giving you all a heads up…so I’ll wait another month or so and make the price changes take effect on January 31, 2020.

The small prints will go from $95 to $125
The large prints will go from $195 to $225
And I will be charging a flat shipping rate of $12 for all tubes, multiple prints can be shipped in one tube and will only be charged once.

The Menemsha Basin and Strider Prints will remain at their current prices for now.

OK, that’s done.

Now back to my snuggly spot by the heater in the corner with my Muses.

Stay frosty out there and thank you all for being there.
H

A Little Night Knitting

A Little Night Knitting  –  18 x 18

On those long winter nights
alone on an island
pining for her captain

the rhythmic click click clicking
of the long metal needles is heard

as they catch the moon beams
dancing over waves

that somewhere
oceans away

have lapped along the starboard side
of a weathered wooden ship.

As she knits
and purls
and knits
and purls

the tips of those needles
wave a tiny patter of light

a private message
in a language of their own
sweet and sacred semaphore.


 

Ok,
now I see it.

The muses are leading us into a story of their own making.
I stumbled upon that while writing the Painter’s Notes just now.

Apparently the captain has left his mitten back home
onshore, with her.

As she plys her own ribbing
by the light of an island moon,
I wonder for whom do they knit ?

And from where is that nuthatch pulling her strand ?

Above is the original sketch I found in a pile of sketches.

I never know where these ideas come from,
but I have learned to jot them down forthwith.

It’s interesting to see the twists and turns
that happen along the way
from a spark of idea
snatched out of the ether
and set aside to percolate.

I’m curious now…
The brushes and I are in for the ride.

Garden Update – June

I don’t want to “bury the lead”…so…Let’s just start right off the bat with the stellar harvest of new potatoes. Yep, those babies are the first success in the new Ruth Stout bed. Be still my Irish heart.  I was watering early this morning and checking on the garden progress when I saw that most of the potato plants in the far corner were wilted and looking tired. So, I dug around.

This was the haul from the first six feet of the long 45 foot row which were the very first veg to be planted in all that hay. I’m thrilled to report that the soil there now is rich in organic matter, friable and loose. Last year at this time it was a mucky lawn.

It’s beginning to work !!!

Looking back down that long row you can see that the rest of the plants are still thriving. They were planted 4-6 weeks after those first potatoes.

Looking the other direction, from the gate, today’s potato haul was from the far corner on the right, beyond the squash tunnel. It receives the most shade from a giant maple tree so I am pleased to see the plants are finding a way in spite of that light deprivation.

You can see that the squash are enjoying this spot too…

There were also some not so happy garden moments. Those pesky white cabbage moths have found the brussel sprouts.

Even the ones I covered with this net tunnel…

So I picked off all the tender green worms and sprayed some spinosad and covered them back up. Speaking of covers, the RABBITS decided that the beautiful row of edamame was just right and ate all the leaves they could reach…THROUGH…the rabbit fence. Then they somehow climbed up into the lettuce bed and chomped their way through that crop.

So I tested out a fleece wrapping ala Christo and it seems to have discouraged them…for now.

One fun little surprise was awaiting me in the adjoining bed.

The cucumbers haven’t looked like much was happening…until I looked closer…

I’ll admit that this progress is tiny but the parsnips are up…

The first tomatoes are fruiting and it may turn out to be a good thing that I got them in so late as the really hot weather is only now here in earnest.

Berries by the bowlful every day now…

And everywhere else there is color…

Even the sky chair gets in the act…

The gift of having this corner of the planet to play in of a morning makes for a peaceful start to the studio work day…

But it’s time to pick up those brushes and hunker down at the easel…I have less than a month to put the Granary Show together and the clock doth tick.

Sunflowers and bowls of Vichyssoise to you all…H

 

 

Progress Report…flora

And a fine good morning to you all from the studio.
Yes, it’s been a while since I checked in here on the blog thingy…but it’s SPRING…and I’ve been working overtime both at the easel and…in the garden.

As this life flies by, I have been paying more attention to slowing down.

My vow to spend more time in the sky chair,
which swung empty on its swivel hook for most of last year,
and to spend more time with my wife,
coming home in time for Jeopardy most of the winter,
and to let the brushes flow at their own pace,
surprising myself discovering new ways to say old truths…
and grabbing all the spare minutes in between to play…in the garden.

We have survived the major tree removal project and the sky has opened up for sunshine to reach some areas of the garden for the first time in a hundred years. I am seeing some changes already, especially in the greenhouse corner of the studio yard. Here then is a tour of the very much “working” progress.

Got to start with a glam shot of my favorite day of every year…the opening blossoms of our Chilmark beach rose…with the extra shot of sunshine she will be receiving now we should be treated to quite a show.

Then, the welcome to my garden view…

Wood chips provided by those dead trees.

This corner is tremendously satisfying as the new bed is brimming with salad greens, and beets, carrots, onions and kale coming along. I confess that I have no idea what that tall green veg is…yes I labeled the seedlings but that label read Kale. It looks more like a broccoli thing. I’ll get a better pic and ask for ID help.

Then a few steps further along we have the splendid newly refurbished arbor bed. The traditional herb garden has now been annexed with the greenhouse bed which I planted yesterday with a whole bunch of seedlings that I actually managed to raise to more than the first two leaf stage.

Then we get serious, and very messy.

The spinach bed, planted way back in March, has been steadily producing but the cover came off pronto when it started to bolt way too early. That thin bed on the right had held a crop of winter carrots which I planted way too late. They were producing full heads of greens but the roots were being chomped by some creature so I yanked them. If I can find a space between raindrops today I’m going to add a layer of new compost and plant edamame there.

The bed beyond, with the two pea towers, is an overachiever. The garlic planted there last fall has been, and will remain, covered in the hopes of deterring the dreaded alium leaf miner. Everything else is shooting up. A local garden guru said this has been an old fashioned spring for us. I really feel that vibe. A gradual climbing in temps, increase in rainfall with some good days of sun and no deep frosts. We have turned that corner now and it is wonderful to put the ice trackers away.

Some big progress in the back forty…

We got this new bed, which I am dubbing the Very Large Array,  almost finished. Not sure where I’m gonna find the dirt to fill her up but I can hear the carrots and parsnips whispering yes.

And now for Ruth…

This experiment may not look like much at the moment but it’s really fun.
While waiting for warmer temps to attempt some planting inside this bed, I threw all sorts of things in the outside bales. Extra broccolini seedlings (I won’t grow that next year…lots of time and space taking flats for Zero return. (some seen here below)

The leeks, and the onions which I nurtured in February… are thrilled to have a home and are soldiering up the perimeter like they were born for the job. Some carrots, kale and extra sage are in there as well as sunflowers and climbers for the Ruth Stout Memorial Archway.

But Potato Row is the star.

All varieties are up now. You can see here how the back wall of hay bales is collapsing into the potatoes. They are on the uphill side of the sloping yard so they have to fight gravity as well as decomposition. I am going to let them do what they think is best and hope that the veg planted in them will overcome the drooping attitude.

There are some persistent weeds coming through the hay all over the bed. I will be using the mountain of wood chips to fill in some walking pathways in here and all over the rest of the yard. It can just be seen out there beyond the fence…which is part of the problem… I need Kory’s help for that but we’ll get her done.

Elsewhere on the estate…

The blueberry bed is thriving.

The much neglected far corner has received a facelift incorporating some Ruth Stout hay mulching with shredded hardwood to tamp down the thready weeds and help establish a new blackberry bed. I saved some Soloman Seal from beneath the pin oak which was taken down at the log cabin and it seems to be quite happy in it’s new home around the maple tree.

And then we swing back down to the easel window, along the rose bed…

A clever shot of the view which the birds and squirrels have of the artiste…from without…

and her view from within…

Some re-positioned birdhouses…

And David’s gazing ball…

and the apprentice telling me that’s enough…get back to work.

She’s right. It’s time to get back to my day job.

I’m having just as much fun inside…working on a new series of a very old house on the Vineyard. We will check in on that a bit later.

Thanks for slowing down with me for a bit today.

Now go get your hands dirty.

H

 

 

 

MV Museum Opens

Reclamation…

The Martha’s Vineyard Museum  opened the doors of their new home this week. Here’s a bird’s eye view nearing completion from their website…

DCIM100MEDIADJI_0292.JPG  photo credit probably Denny Wortman but I’ll check.

It’s an exciting time for all who have supported the dream of transforming the old marine hospital into its newest reincarnation as home for the MV Museum and its collection of island history, artifacts and lore. The Museum, as a collective, is a living breathing vibrant organization which brings archived island history to life for each new generation.

Readers will remember that way back in 2013, can it be that long ago, I worked on a series of paintings, Reclamation, which explored the Marine Hospital building as it then stood, abandoned and restless, on the hill overlooking Vineyard Haven harbor.

The MV Museum had just purchased the property with the goal of converting it to their new headquarters. And, after five years of hard work and visionary grit, the board, staff, construction workers and volunteers have realized their dream.

As part of the opening exhibit in their space devoted to Island Art, “Lost and Found, The Marine Hospital”, the museum has curated examples of artwork inspired by the original building. They managed to round up, and have included, several of the paintings from my Reclamation Series, and Adam Smith sent me some photos of those paintings in situ from the show…

Escape…

Here are images of the rest of the series…

Marine Castaway…

Vineyard Porcelain…

Transom…

Sailing Camp Shadows…

Memorial Day…

Maplines…

Island Passages…

Severe Clear…

 

And for the bonus round…

The 2008 painting of Strider’s Surrender, which was donated to the MV Museum by a supportive patron, has now found a home in its permanent collection. Chris Morse, owner of the Granary Gallery, sent me a photo of the crew installing the piece…

And Adam caught it again at the opening…hello from the studio to Phil Wallis, MV Museum’s Executive Director, down along the hallway there…

 

The Painter’s Notes for both the Reclamation Series and Strider’s Surrender fill in some of the inspiration and back story for these pieces and can be read by interested parties by clicking on their highlighted names in this sentence.

It is both personally and professionally kind of amazing to see these paintings hanging in the new museum.

As artists…
we churn our days away at the easel
challenged by the muses
tossing paint around with tiny brushes
grounded, as far as our left brains will allow,
and working primarily
in the present.

It is humbling
to see one of those creations
hanging in a museum
which is grounded, as far as any good mission statement will allow,
in the past.

In preserving the past.

I don’t often get to see where my paintings go after they are sold.
If I’m brutally honest, it is sometimes so emotionally difficult to put so much of my self and soul into the creation of the artwork only to let it go and never be seen, by me, again that I have to compartmentalize that bit into a dusty corner of my heart.

If I had a gratitude journal…
today’s entry would be this blog post.

I am grateful for all those whose support has given these paintings a new audience to tell their stories to…and I am looking forward to getting to see them again…in person soon.

Ten Year Challenge

Today this sweet loyal generous companion bodyguard and all around champion of our hearts…is 10 years old !!!

That is a VERY special birthday for a Bernese Mountain Dog.

Our little Finnegan is a giver of love.
To everyone she meets.

A wise soul
a beautiful presence
part healer
come jester
my rugged apprentice
our tender minder
and bestest of pals.

Dear Dear Finn…we love you too.

I’ll take this ten year challenge and then some…

Enter the Muses

This is a good image to go with this morning…

While I sit here in the studio,
awaiting the plumber,
who will help me address the water
which is pouring out of a busted pipe
in the basement below my feet.

These unexpected pauses,
jolting the daily drive train of a creative workflow,
still unnerve me…
there are decidedly a scarce few things
which fill me with more dread
than having to go down to the basement.

But, with Pat’s steady backup,
I have conquered that stage of the drama
and the power has been cut off from the errant water pump
and, as I mentioned, the trusty plumber is on the way.

Which gives me that rare moment…
the unexpected pause
between crisis and resuming of normal play
and I am filling this one
by paying forward a gift.

Last night, after a long day,
a message popped up on my phone
from one among you who are followers
that I have never met, but whose name I recognize
from the occasional gift of a “like” response to a posting here or there.

She wrote that she follows my work
and she had read a poem which,
for some reason, made her think of me…
Pat looked at me from across the sofa and asked why I was crying…
I read the poem outloud,
and we were both in tears.

So this pause is by way of a thank you to K,
for stopping to share the gift of this gracefully moving beauty
and her own kind words,
and to remind myself
to take a deeper breath
and let the muses take the wheel today.

Beneath The Sweater And The Skin
A Poem by Jeannette Encinias

How many years of beauty do I have left?
she asks me.
How many more do you want?
Here. Here is 34. Here is 50.

When you are 80 years old
and your beauty rises in ways
your cells cannot even imagine now
and your wild bones grow luminous and
ripe, having carried the weight
of a passionate life.

When your hair is aflame
with winter
and you have decades of
learning and leaving and loving
sewn into
the corners of your eyes
and your children come home
to find their own history
in your face.

When you know what it feels like to fail
ferociously
and have gained the
capacity
to rise and rise and rise again.

When you can make your tea
on a quiet and ridiculously lonely afternoon
and still have a song in your heart
Queen owl wings beating
beneath the cotton of your sweater.

Because your beauty began there
beneath the sweater and the skin,
remember?

This is when I will take you
into my arms and coo
YOU BRAVE AND GLORIOUS THING
you’ve come so far..

I see you.
Your beauty is breathtaking.