Spent the morning framing and packing up a new painting which will be headed up to the Granary Gallery as soon as Herself gets back from her yoga class. So before I head back to the easel here are a few pics of the first weeks’ work on the big panel….
A swath of sky, then in for some long distance work and detailing, then over to the shack full of shingles… I have become quite familiar with the weathered cedar shingle and learned that there are no short cuts. Wet-in-wet seems to work well for the first layers. Then I come back in and crisp up the edges and add texture. Then go back and glaze it all down as a summer rain storm might…and back over that to bounce in some highlights where the appropriate sunlight…or shadow…would glance off the surfaces.
After over a week of drawing, reworking and fine tuning the composition …I finally finished getting the sketch for this mammoth painting on the panel yesterday. Since this is a Vineyard scene, and since my studio is in the almost landlocked state of Pennsylvania, I am relying on a bank of photographs and sketches done on scene for reference. The first shots were taken back in 2004 and I have supplemented those with over a thousand more…chronicling a wide range of lighting, weather and seasonal elements in the intervening years.
Without revealing too much of the subject matter yet, I can say that the view of this part of the island can and does change hourly. A busy intersection of human, waterfowl and nautical activity, there is almost constant motion…so trying to capture that energy in a static and narrow two dimensions has been a challenge.
It was also interesting to see the changes in some of the “bones” of the scene over the 5 years or more of photos and drawings. Shingles damaged over harsh winters waited years to be repaired, and names painted on boats worn by salty seas were all the sudden bright again as I flipped from one year’s shots to the next.
I decided to let the verisimilitude go and concentrate on finding the essence of the place. The early composition has expanded from a relatively small panel to fill an almost 4 x 8 foot frame. The challenges of working on a painting that size are offset by the opportunity to portray the beauty in the simplest of details that would be lost in a smaller panel. And there are hundreds of them in this composition. So here we go.
Once again my nurse has insisted that I not lift this thing alone…so together we managed to move it from easel to kitchen table and back again. When I have the sketch completed I scan it into the computer and print it out sized for the panel. In this case it was such a huge file that I had to break it up into smaller sections. The printer spits it out in a tiled format so there’s lots of trimming and taping to get it back together. Then I line it up and trace it onto the panel using a graphite transfer paper.
This shot is towards the end and I’ve cut up some of the main sketch to be able to better see how the transfer lines are looking. Once in a while the graphite paper is of poor quality and I have been known to go on happily tracing lines for hours only to find they are not visible on the panel. Not fun.
I have very little patience for this part of my job…but somebody’s got to do it.
And now….with the panel back up on the easel and the counterbalancing adjusted…I can move it all by myself….
Breaking through the rain clouds outside of the studio… and the walls of doom and gloom that seem to surround all of us these dreary mid-winter days… came a bright ray of sunshine for art lovers and patrons alike…
The Granary Gallery has represented my artwork for over 8 years and I’m pleased to be one of the cooperating artists for this unprecedented sale. As our friend Polly often said…” It’s a good fit ! ”
So Light up your torches… put on your dancing shoes…
The mid-winter sunshine is melting away some of the sadness in the studio and work and life continues to push me forward.
We had a wonderfully healing visit from my pal Peter Follansbee this week on his way to and from giving a lecture at a furniture conference in Colonial Williamsburg. Many of you know that Peter is THE world renowned expert in 17thCentury Joinery and I got to tag along with him on tuesday as he went to the nearby Winterthur Museum to take a look at a painted wooden box made in 1698. It was a blast to be his lackey and get a rare behind- the -scenes look at the museum and meet their curator and top scientist. Peter has been hired by the MFA, Boston to reproduce the missing top half of a cabinet which is in their collection. The details to which his assembled team is investigating how the original might have been produced and decorated…and the microscopic analysis of the paint samples from the four existing examples of this furniture…are beyond amazing. If you’re at all interested in woodworking you will find his blog entries to be a remarkable wealth of information both historical and practical. www.pfollansbee.wordpress.com
This week also saw the launching of Laurie R. King’s Fifteen Weeks of Bees project. Regular readers of this blog will know that LRK is one of my favorite authors and that listening to her books in the studio has inspired many a painting. So, when she wrote to me a few months ago to invite me to participate in a fun project to help launch the newest installment in the Mary Russell Series…I couldn’t reply fast enough.
The idea is an old one … in the authors words…” Russellscape is an ‘endless landscape’ or myriorama—a series of panels with precisely the same colors at precisely the same places along their left and right edges. If all those edges match, then the individual panels, when laid side by side, form a continuous image…”
In this case she was looking for the illustrations to relate in some way to the MR series characters, story lines or geographic locations in the books. My first thought was of the painting that I had finished last year… The Beecharmer. The idea for which had blossomed many years ago while I was reading the very first book in the series, The Beekeeper’s Apprentice. It took a few years of incubation and a larger studio to bring my composition to the panel … and it has taken the same number of years for LRK to return to the hive, so to speak, with her latest novel’s title…The Language of Bees which hits the bookstores on 22 May 09.
So, with a little bit of help from Photoshop… and a lot of artistic license and latitude… here is the image I came up with …
and here’s where you can see how they integrated it into the Russellscape… (Scroll down to the bottom of her home page to see the slide show ) http://www.laurierking.com/ .
It was a lot of fun and a huge honor for this humble artist to be included, so many thanks Laurie.
You too can participate as she is encouraging other artists to add their own panels… so follow the links on her site to find the details. There will be a contest coming up to pick the favorite panel…so get to the library and bone up on your Mary Russell stories and have fun. ” The Games A-foot !”
And, one last plug…the original painting, The Beecharmer can be seen here on my website…and is available now at the Granary Gallery .
And Now… I weave my way from Ye Olde Cabinet Shoppes of the 17th century … through the back alleys of 19th century London… across the moors and back across the pond…to the dune swept seascapes of Martha’s Vineyard…and straight onto a movie set ?
Next up on the easel… a painting commissioned for a movie currently wrapping up production by producer/director Tappan Heher … “Mistover”.
Much more to come on this exciting project soon… but, for now, the muses are calling.
Gulliver and I tiptoed out of the log cabin in the thick fogbound morning and went through the back gate over to the studio.
Cobwebs covering my glasses, I was ready for an early start to a long work day. Stopped in the kitchen to put a scoop of food in Gully’s bowl, grab a diet pepsi and head into the office to check email…
A message from Lynn popped up. Always a treat. This time there was a link to Tim O’Brien blog page…and there went the morning….
The short story is that the Langmuir family is beyond all things, generous. They have shared their island sanctuary with a few of us over the years and Lynn had the great foresight to keep a running journal of summer’s there which visitors are encouraged to comment in. (What we did before bolgging for all you new humans out there.) Our favorite entries have been the cartoon sketches which Tim does of his family’s annual visit in July. We’ve watched as his career took off, a master illustrator who is famous for his Time Mag. covers, as their adventurous pup rambled the meadows, as their son Cassius was born and learned his way around the island, and now….an introduction to Tim’s website, and this wonderful blog entry describing how he transformed a newly repaired ceiling board into a window on the vineyard sky. My brushes are bowed in respect for his genius ! There is lots more here, and for those of us who know every crack in that ceiling, and for those who appreciate humor and magic…this is a fun read. http://www.drawger.com/tonka
Time to hitch the trailer up and make my way to the frame shop again. The frame that wouldn’t fit in the truck is coincidentally for a portrait of the garage on the Langmuir’s bluff. A view which Cassius would not be able to find, but Tim might appreciate….
The Temple of my Familiar
T-minus 14 days and counting ’til the show. The summer is sizzlin’ by…. HN
