Midwinter Details

 In the early days of January, in the deep midwinter studio, when I sit down with the piles of sketchbooks and sort throught the long lists of painting ideas… I feel unfettered. Before the filters of deadlines and salability and subjectable subject choices begin to weigh me down… I take chances. I choose challenges. I tease the muses who whisper, “keep it simple” and  “No not THAT nightgown”.

I have spent the last few weeks wading in that most wonderful of seas…the sea of details. Frolicking with the tiniest brushes. Taking extra days to glaze down and bring back up entire areas of light only to glaze them back down again and slowly, slowly refine. I’ve taunted and tweaked compositions and twisted ribbons and fringes in the wind.

Here is a sneak peak of the first of these, The Mender…

It will appear in Denver in March at the Gallery 1261 Contemporary Realism Show. It’s companion, The Tinker, was finished last night and you will have to wait a bit for that pic but it shares a few elements with it’s Mender…a rug, a teacup, a pair of spectacles…and the number three.

Now, all the wheels of creativity turn to…the island. The trove of images which I’ve stored up from Martha’s Vineyard is indeed full of treasure. And before those afore mentioned weighty filters and deadlines begin to creep in…I will let only the carefree muses in from the cold. The ones who say, “Go for it” and “If not now, when”, and let them sit alongside while I turn the pages of this sketchbook…

and decide what to paint next.

A new year, a new knee, a new wave of creative energy…

and a good time to catch you up on the progress here in the studio…
It’s now been two months since my first knee replacement surgery and by all accounts things are moving along swimmingly. The first month was all about learning to walk again…

and the second month has been about taking a defibrilator to my mojo. Even though I was able to walk over to the studio by week three…the creative muses had decided to take a longer vacation and it was many more weeks before I had the energy to lift even the tiniest of brushes. But…thanks to my long suffering nurse and team of PT helpers… I’m back !

Before this saga began I had decided to get a painting started so that I would have all the setup work done and, post surgery, could just sit and paint. I had posted a facebook photo taken early one morning as I came to work in the studio…

and the muses must have been working on that website because the responses made it clear that I HAD to paint this. So with a few tweeks I  I painted right up until the day before surgery and had a pretty good start…

And after sitting patiently on the easel for weeks, it was more than ready for my impatient attentions. The first few days were short controlled bursts of playing with puddles of paint but finally the spark returned and I put the finishing touches on this work in the very last hours of 2012 and it felt great.

And day one of the new year found me in the studio beginning again to fill requests from galleries for new work. My goal is to sharpen the focus of who I am as an artist and to lay back and enjoy the gift of being able to do what I love right up until the fat lady sings…or at least until she has finished her mending.

May all of you find your sparkles alive and well in this new year.

 

New Works in Small Sizes

Gallery 1261 is about to open their Small Works show. It will be running from November 16th through December 31st…but I thought you might like a little preview…

A couple little sketches from the studio garden…

Green Bean Tea

Cadmium Harvest

And this one…Spent… which features Polly’s antique cigarettes and that ever faithful red pump…

I’ll be offline for a while…gotta go see a man about a new knee.
So, while I’m recovering…just talk amongst yourselves…and I’ll catch up with you just as soon as I’m able to manage the 50 ft. commute from log cabin to studio.

Stay frosty out there !

It’s been a while…

and the muses are calling…
calling me back to the studio…
the brushes are flirting with me as I walk by them from kitchen to office and back again… oh how the empty panels stacked up alongside the easel do tease.

I am listening, but there are a few more tasks to be swept away before I can return to my easel. Today, for instance, I have added some new prints to the website shop. Here’s a quick peek…

 

There are over 40 prints listed on the site now but if you have a particular favorite which you do not see there please contact me and I’ll let you know if it is available.

And remember…shipping and handling is… FREE ! 

 

Small works in a big way…

All hail the return of civilized weather. When that first waft of cool air hit my lungs I all but fell to weeping. The edges of my soul were beginning to get crispy and my eyes felt like thickly glazed donuts.

With the earlier sunsets and the thin carpet of leaves, the studio is poised for a hiatus. We are once again returning to Martha’s Vineyard for an autumn sabbatical and an opportunity to work among the gulls and the waves in person.

But I haven’t been idle in the last few weeks. My brushes have been flying in pursuit of some smaller panels but no less meaningful gestures. I will shortly be loading the car to bring up new works to fill spaces on the walls at the Granary Gallery…and will be sending a parcel of new paintings out to Denver, to Gallery 1261, for their upcoming small works show in November.

Meanwhile, I thought I’d give you dear readers a sneak peek. Here, for your perusal, are the latest musings from the studio… I hope you will enjoy them with a fresh mug of  cider…or warm cup of tea.

                             

Creative Maturity

An imaginative and beautifully designed magazine, Martha’s Vineyard Arts and Ideas, is the creative brainchild of Patrick Phillips. A few months ago we spoke about including my work as one of the featured artist profiles and it has been published in this month’s issue.

http://www.mvartsandideas.com/arts/artist-profiles/heather-neill

When I spoke to Patrick earlier this summer I was preparing to work on a painting which had the title, Aren’t we aging well…which I wrote about in the last blog entry.

The musings in MV Arts and Ideas, about “aging into creative maturity”, were in part a reflection on how I was going to interpret the title for this intimate portrait of myself and Pat…but were also part of a current dialogue that I have been having with the muses about how, even as a mid-career artist…read, she’s gone through enough sketchbooks and pencils to fill a spaceship…there are still daily moments of uncertainty as I sit in front of the easel.

I expect that most of you artists out there who are of a certain age are also still balancing the confidences of craft with the moments of dreadful doubt…especially since so much of what happens between the brush and the panel is a mystery. I’d love to hear how well all of you are “aging”.

 

Granary and Garden

We’ve been home for over a week now and the re-entry hubub has settled down and I am back at the easel in earnest. And back in the garden as well but not so earnestly as the summer heat wave continues. But this is all good because I am getting my garden fix early in the cooler morning hours and then the rest of the day spent at the air-conditioned studio easel feels like a spa.

Time then to post some photos from the Granary show. The opening was wonderful…a sea of art lovers with many new faces and lots of kind words of support. I took some photos after the crowds had cleared to show you blog readers the installation.

And not to be left out… a few snaps from this morning’s raid of one of the potato bags.

I’m in the mood for some vichysoisse and decided to dig around for some spuds. A task which I approach like an archeological expedition… gently brushing aside layers of dirt to reveal the brightly colored treasures. It’s just magical. Though I’m not too impressed with the yield so far. I welcome any advice from all my master gardener pals on how to improve next year’s crop.

In the coming weeks I’m going to look back and show a couple “paintings in progress” photos I took while working this spring. And I’ve got a slew of panels ready for a series of smaller paintings which will be headed out to Denver for the Gallery 1261 small works show in November/December.

Meanwhile I finished this piece the other day…(here’s an unvarnished studio shot)

It’s title is “Aren’t We Aging Well”…from the title of that wonderful Dar Williams song. I’ve carried just the title forward through several sketch books and when I decided on a visual interpretation it was originally supposed to be an anonymous couple, though always two women. But after Pat and I posed together in the studio yard…I used the remote shutter release on the camera to sneak some shots from behind the chairs…and I looked at the pictures, I realized that we were in no way anonymous. And then it became so deeply personal that I took it out of the Granary roster and put it aside to work on after the show.

I’m so glad now to have it finished …and have cleared some wall space in the studio to hang it after it dries, is varnished and photographed…just for us.

It has been years since I allowed myself to do a painting that wasn’t destined for a gallery or show. It’s good, as the song says, to “steal out with my paints and my brushes”…and paint as if nobody is watching.

But now…I’ve got to be getting on with the current still life. A few of the familiar props are making another appearance like the red stiletto, the silk camisole, and is that one of Polly’s cigarettes ? Really ?

Patience dear reader…all will be revealed…in good time.

 

 

 

And for the finale…

It has been a blast to post these images one day at a time and has forced me to learn the new website admin navigation and to explore worlds deep withing this machine that I am now using on a daily basis to lighten the load of the business side of the artworld. And it has been an opportunity to look at each painting as an individual entry in the larger show and remember what drew me to paint them in the first place. All good.

Over a year’s worth of work lined up for your consideration…and now we’ve reached the final painting.

I give you…

#18 – James Pond 92 x 48

There is a deceptively simple peace that comes from looking out over this pond. Peaceful in that air and land and wind and water come together seemlessly and you can melt away the burdens of the world in one rustling of a leaf. Deceptive in that there is so much going on in those elements that your calmly gazing self might be the only still thing around.

All manner of wildlife are in constant motion. The water never stops. The leaves and clouds dance around you like fairies. And the chorus of birds and bugs and lapping waves are gentle background to it all.

But my favorite part of this corner of the planet is that it changes. I have spent many weeks here and no two reference photos are the same. It was part of the challenge in choosing to paint this spot. Which season? which sky? which time of day? The blue of that water can be fifty different hues in one given hour. The constantly revolving collection of cormorants on that single rock alone can make one’s brushes spin.

To settle on all those choices is to make everything…come to a …stop.

And then, once stopped, to try and give each element an accurate rendering and slowly build the layers of background melting into middle distance and finally detailed foreground and tease each strand together and hope that they vibrate as a whole and at least give the hint that all is in motion.

I hope that you have enjoyed this adventure as much as I have. And I hope to see some of you this Sunday at the Red Barn as we unveil the 2012 Granary Gallery show.

Thanks for checking in and, as always, thank you for your support !

Now go outside and play.

 

On the road again…

Now this is sorta fun…

When this post hits the airwaves I hope to be somewhere around New London, Ct. in the car, hauling the trailer, headed for the island.

But today, as I write this while procrastinating instead of packing the trailer, I have two more paintings to wrap up and a whole lotta last minute packing to do so let’s get right down to it.

I’ve saved the biggest for the last two and today I give you….

#17 – Up Island Morning  40 x 90

A little slice of Chilmark heaven. Our destination this week is just over the hill from here and right on the edge of the planet. Zoe will not need the sheep whose internal music player lulls her to sleep with the sound of ocean waves…because they will be right out the window !

May you all find peace in whatever slice of heaven you wake up to this morning…

Museums and Orchards…

Museums…

A great article (click here to read) about the new Museum of Realist Art which is a project in the planning stages but gaining momentum towards the dream of a 2014 opening in East Boston. The founders, George Kougeas and Pamela Sienna, have been working hard to realize that dream and have been terrifically supportive of the artists they have already begun curating into the collection.

More than just offering a venue to showcase Realist art, they are building a dialogue amonst the artists though their support and promotion that is enhancing and enriching our community. I’m thrilled to be on their radar and doubly pleased to see that the Boston Globe included one of my new paintings…yes one which you saw here first only a few days ago…in the online article.   Camera Obscura

So, again…and again… many thanks to them.

And now… Orchards.

It’s time to unveil the anchor piece in the Apple Series paintings. Many of you were along for the ride when, this fall and winter, I was blogging as I slogged through the adventure of painting seven hundred fifty thousand apples. Ok, not literally but it sure felt like that at the end of each day. I have included those blog entries as the Painter’s Notes mostly because it reminds me that a little perserverance and a lot of whining can get you through even the toughtest of artistic challenges.

And now that it’s done and framed and ready to be put in the trailer… I am so glad that I chose to do it on a larger panel than originally planned. For me it’s all about Ted’s hand and that would have been completely lost in a smaller format.

Rumor has it that Debbie, the orchard owner, is planning to provide a little appley treat to accompany the painting at this sunday’s opening. Those planning to attend might want to arrive early to insure a taste of Tiasquin’s Finest.

For the rest of you… here is…

#16 – Tiasquin Orchard  34 x 60

Ok I can’t delay this any longer…it’s out to pack the trailer.

Be well…