Barrage…

Well art fans,
we have a few last minute crisis to find work arounds for here in the studio today…
and the trailer is scheduled to roll outta here in less that 40 hours…

SO, the first thing to give is gonna be this high falootin’, wait-for-it, three at a time…roll-out -the- paintings, production thingy.

Framed and wrapped and taking up a LOT of space in the studio now, are all 16 paintings…waiting for the weather to cooperate so they can be loaded into the trailer for the big haul northeast.
You have seen the first six, and here, all together now, are the remaining ones…

Considered for your approval…The Granary Gallery Show 2014

Chambered Linens  –  36 x 24

Chambered Linens

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The Road Race  –  20 x 16

The Road Race

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The Carriage House  –  18 x 24

The Carriage House

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King’s Highway Deep  –  18 x 24

Kings Highway Deep

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Looking Back  –  92 x 48

Looking Back

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Coast Guard Crow  –  40 x 30

Coat Guard Crow

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The Wreck of The Betty  –  36 x 24

The Wreck of The Betty

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Squibnocket Sunset  –  36 x 18

Squibnocket Sunset

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Laylines  –  46 x 32

Lay Lines

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The Watch  –  24 x 16

The Watch

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And there ya go…
We will be at the opening on Sunday night July 20th from 5-7pm
at The Granary Gallery in West Tisbury on the island of Martha’s Vineyard.

Thank you all for viewing and for your continuing support.

It means more than I can ever say.

Yours in a flurry,

Heather

 

 

 

 

 

 

 


Last year at this time …

Reclamation

I was framing up the paintings from the Reclamation Series .

Sailing Camp Shadows

There was a catalog to get to the printers, a flurry to ship a piece or two up to the Museum for their annual fundraiser, and, as I recall…a general air of that flurry, nay panic, about getting everything done in time to make our ferry reservations.

This year…I somehow went from being a month behind schedule in May…to being waaay ahead of that same schedule here in the month of June.

The watch 2014

Don’t get me wrong, I am not in search of things to fill this time. There are small craft warning options, and bags of tools, and tempting books, in piles in every single room in both studio and log cabin. But for the first time in a decade I am, shall we say, relaxing into these early summer days.

Entire pots of coffee are slowly consumed in the morning sky chair. Weeds, which are historically allowed to cycle into full tilt trees, are being yanked in their youth. Many small, and a couple of large, projects have been crossed off the home improvement list. Parts of the studio can actually be called cleaned up. Ok small parts but hey.

And I have spent hours at a time, with tiny needle in hand, in a different corner of the studio, peacefully quilting.

My working theory is the brutal winter. It shifted something. Hard to the left. Can’t even write about it except to say that warm sun and blue skies are to be bathed in.

So, finding myself with this breath of extra time I am actually going back to the easel. The large panel, which was the last ptg finished for the Granary show, had to remain on the easel until it was time to varnish and then haul up to the photographers. We hooked up the trailer and I took it up to John Corcoran yesterday so it feels like a dance hall in here.

John recently confessed that he, like myself and so many other artists, is often anxious after a hiatus from the work. The ever present doubts that we’ve still “got it” sometimes make it hard to pick up a brush, or camera in his case, and crawl out on that creative limb again. The break which happens every year at this time, between pre and post MV show, always throws me that curve ball.

But today, in my newly granted, and oh so profoundly appreciated, stay of anxiety…I’ve got an idea for a teacup composition that has been teasing the muses and I’m going to squeeze out some fresh paint and open the windows and let the solstice inspired breezes play with the brushes.

How fun is that.